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Month: May 2024

Doctor Who: Print The Legend

Doctor Who: Print The Legend

Panini: Bookazine_Doctor Who: Print The Legend_1

This lavish, 116-page bookazine is the essential guide to novelisations – hardback, paperback and audio adaptations of television stories. 

Highlights include profiles of leading authors, a section on collecting rarities, a look at the recording of the audiobooks and a tribute to illustrator Chris Achilléos. Exclusives include a previously unpublished extract from The Enemy of the World, the book that legendary Doctor Who writer David Whitaker was working on before his death in 1980.

“The first of these books was published in 1964, and there have been 223 to date,” says editor Marcus Hearn. “This special issue includes details on every single one, with cover illustrations, information about reprints, foreign-language editions and much more.”

Each issue of Print the Legend comes with a free CD audiobook, randomly selected from the BBC Audiobooks Doctor Who range.

Release date: 6 Jun 2024

Doctor Who’s Callie Cooke on Lindy Pepper-Bean, planet Finetime and the ‘thrilling, fun, ominous’ Dot and Bubble

Doctor Who’s Callie Cooke on Lindy Pepper-Bean, planet Finetime and the ‘thrilling, fun, ominous’ Dot and Bubble

In Doctor Who’s Dot and Bubble, the world of Finetime seems happy and harmonious. But an awful terror is preying on the citizens. Can the Doctor and Ruby make them see the truth before it’s too late?

We caught up with Callie Cooke, who plays Lindy Pepper-Bean, to find out more about the episode.


Interview with Callie Cooke (Lindy Pepper-Bean)

(Image: BBC Studios/Bad Wolf/James Pardon)

How does it feel to be joining the Whoniverse?

It’s very exciting, it’s something I’ve always wanted to do. I couldn’t have had more of a positive experience to be doing such a unique episode that I hope will have a big impact – it’s such a privilege.

Have you always wanted to be a part of Doctor Who? Who is your favourite Doctor and monster?

Yes, I’ve always wanted to be in Doctor Who, I said it publicly about 10 years ago. I’m a Matt Smith fan, also a David Tennant fan because I am obsessed with him as an actor. In terms of monsters, I actually think the Bogeyman in Space Babies is one of the scariest monsters I’ve ever seen.

How does Doctor Who differ from other projects you’ve worked on?

I have never been on something that is so unapologetically fun. You can just go as big as you like, while being so supported. Not just by the fans, but Russell and the crew. You can have so much fun with it. I think what is so special about this season is there’s so much heart, drama and charm. It ticks every box.

Tell us a little about your character and what qualities of them you found most interesting to play?

I play Lindy Pepper-Bean who is sort of an influencer of the future. She exists on a planet called Finetime which is basically where rich parents send their kids to live a perfect carefree life. Lindy is incredibly complex – she’s very privileged, very sheltered, set in her ways, petulant and sometimes a bit annoying – which was an exciting mix to play. She really cares about her friends, but she probably cares more about how she looks and comes across more!

(Image: BBC Studios/Bad Wolf/James Pardon)

What was it like acting alongside the special effects and stunts?

I did do some stunts – that was very fun to film! The stunt team are amazing. I worked hugely with special effects every day.

Can you tell us the tone of your episode and what to expect?

The tone of the episode when it starts is incredibly shiny and silly and, to the eye, looks quite harmless. But it definitely has a dark side and an undercurrent that is so important, I think Russell does that so well in his writing. And Ncuti blew us all away on set – he is such a brilliant actor, so you can expect to see that!

Explain a little about your costume and how it came to be.

Pam Downe, our costume designer has created this incredibly colourful pastel pallet that most of Finetime mirrors. So we see Lindy in lots of purples and pinks, wearing a feathery cuff blazer, a cutesy little skirt and some pumps which fits her character perfectly. Pam was amazing at letting me have some freedom to decide what we wanted Lindy to wear, but it had to be practical as it’s Doctor Who after all and I needed to run around.

Describe ‘Dot and Bubble’ in three words

Thrilling. Fun. Ominous…

BOOM CONSOLIDATED RATINGS REVEALED

BOOM CONSOLIDATED RATINGS REVEALED

Boom was watched live by 2.04m on BBC One in the UK. BARB have released the 7-day consolidated figures for this episode, which include those who watched on iPlayer and devices. Boom has consolidated to a total of 3,578,000 making it the 18th most-watched programme of the week across all channels, and the 10th most-watched title of the week.

The first two episodes of the series, Space Babies and The Devil’s Chord, have consolidated to 4,008,000 and 3,909,000 respectively.

In the UK, episodes of Doctor Who drop every Saturday at 00:00am on iPlayer and air on BBC One at 6:50pm BST.
Lethbridge-Stewart The Grand Finale!

Lethbridge-Stewart The Grand Finale!


Candy Jar Books is pleased to announce the fourth and final title in its final series of Lethbridge-Stewart novels.


Intelligence Taskforce is written by Jonathan Blum, his second Lethbridge-Stewart novel, but by no means his first foray into Doctor Who fiction. During the 1990s he penned several Doctor Who novels with his partner, Kate Orman, for BBC Books, including Vampire Science and Seeing I. Outside of books, he also wrote the seminal Big Finish audio, The Fearmonger.

Range Editor Andy Frankham-Allen says:

“There is two ways to look at this book; it’s either a sequel, or it’s the second part of one novel. I’m inclined to think of it as the latter, since it was initially only planned as one novel.”

Jonathan Blum says:

“When I first pitched my story to Andy, it was just one book – Andy said I could go a bit longer than usual because it was the grand finale. Then I submitted it, and he said, ‘okay, not quite that long…’ I’d already cut out a bunch of bits from my outline, because I knew I was running long, but the submitted draft was about 90,000 words, where most of the Lethbridge-Stewart books were around 70,000. In passing I said ‘you know, there’s these subplots in the original outline that I left out, we could put them back in and make it two 60,000 word books…’ In my defence, I did have COVID at the time! Don’t try this at home, folks – usually you’ll be laughed at. But luckily, this helped Andy with his schedule, so he said ‘make it two 70,000 word books and you’re on’. But that meant I still had to come up with even more new material! The story split neatly in half – book one became ‘what’s going on and who’s behind it’, while book two was ‘how do we stop them, and how far are they planning to go’. If you look at the books as basically an old-style Doctor Who four-parter, the expansion was in parts two and three!”

As well as ending the series proper, and setting up UNIT, Jon had a couple of other very important scenarios to work on at the behest of Andy.

Jonathan continues:

“For me, the defining note of Brigadier Lethbridge-Stewart is that he’s such a conventional, upright figure – and yet he has to deal with so much interplanetary barking insanity. And as we know from the TV show, he allies himself with some weird people. His life is fundamentally strange, but he stays so normal – what does that mean about him? How can he actually do that? There’s a possible answer in here, and it’s not one the Brigadier would like… In the books he and Anne have this great personal history with the Great Intelligence and their family, this chaos lurking under the surface of their orderly lives, and they’re both going to have to face that. And for a representative of The System, he spends an awful lot of time skirting the rules; he only really seems conventional and rigid when he’s standing next to the Doctor! Here, in order to get UNIT as we know it off the ground, he’s going to have to both rebuild the system from within, and work outside it. And, without intending to, burn some crucial old bridges…”

The cover is once again provided by Adrian Salmon. He says;

“It was quite a technical exercise this one! My intention was to make the ‘coins’ be knocked back colour-wise to suggest movement as against solidity, and I think it works!”


Blurb:

Brigadier Lethbridge-Stewart is in disgrace. And alone.

As the inquiry into his recent actions closes in, he takes personal leave, and heads

to the United States to hunt answers. The conspiracy he’s been uncovering stretches to the highest levels, involving people with the ability to manipulate probability and random chance, who could skew the fate of the entire world. But what for?

From the UN building to the Pentagon, the streets of Harlem to the shores of Barbados, Lethbridge-Stewart has to leave behind his secure position and build a

new team of international allies. What they establish could bring the world together to face alien threats… or their different agendas could tear everything down.

They locate the man behind the conspiracy. But is there someone – or something – behind even him?

A coda to the series, The Lost Son by Tim Gambrell, will be released later in the year.

If you have a subscription with Candy Jar Books, Intelligence Taskforce is covered by this.

To order, please visit here.

73 YARDS OVERNIGHT RATINGS REVEALED

73 YARDS OVERNIGHT RATINGS REVEALED

Landing on the Welsh coast, the Doctor and Ruby embark on the strangest journey of their lives. In a rain-lashed pub, the locals sit in fear of ancient legends coming to life.

73 Yards was watched live on BBC One by 2.6m. This figure does not include those who watched before broadcast on BBC iPlayer or watched live on devices. Consolidated ratings for 73 Yards will be released on Monday 3rd June by BARB.

The first three episodes of the series were watched overnight by 2.6m 2.4m and 2.04m respectively.

DOCTOR WHO MAGAZINE 604

DOCTOR WHO MAGAZINE 604

Inside this issue

  • Previews of the new episodes broadcast this month. Russell T Davies talks about 73 Yards and Dot and Bubble, we reveal a tantalising glimpse at the recording of Rogue, and whet your appetite for season finale The Legend of Ruby Sunday/Empire of Death.
  • Jonathan Groff talks about his role in Rogue and his first impressions of watching An Unearthly Child
  • A day in the life of Wolf Studios… join DWM on the set of Space Babies
  • Script to Screen on realising the Baby Station crew.
  • Behind the scenes on The Devil’s Chord – including contributions from actors who played the Beatles, Jinkx Monsoon, Russell T Davies, Murray Gold… plus Shirley Ballas and Johannes!
  • We catch up with recurring guest star Susan Twist.
  • Steven Moffat discusses some of the philosophical ideas at the heart of Boom
  • Letter from the Showrunner – Russell T Davies reports from New York as he publicises the return of Doctor Who in the US.
  • “Are You My Mummy?” Nineteen years on, Time-Space Visualiser looks back at the series’ first meme…
  • Loose Ends – this month we expand upon the Twelfth Doctor’s Regency adventures.
  • The Fact of Fiction – a scene-by-scene look back at First Doctor story The Rescue.
  • The first part of a brand-new comic strip featuring the Fifteenth Doctor and Ruby.

PLUS!

  • Gallifrey Guardian – meet the new companion, played by Varada Sethu!
  • Reviewed: the animated Celestial Toymaker on DVD and Blu-ray, and all the latest audio releases.
  • Other Worlds – the essential guide to new stories in Doctor Who’s expanded universe.
  • Win Blu-rays and the latest audio releases!

Doctor Who Magazine Issue 604 is on sale Thursday 23 May  from panini.co.uk and WH Smith priced £7.99 (UK).

Also available as a digital edition from pocketmags.com priced £6.99.

Grand finale of Season 1 to be screened in cinemas across the UK

Grand finale of Season 1 to be screened in cinemas across the UK

Doctor Who in cinemas

The grand finale of Doctor Who starring Ncuti Gatwa will be screened in cinemas across the UK.

BBC Studios and CinemaLive have joined forces to bring the Doctor Who finale to cinema screens across the UK on 21st June 2024.

Fans can come together to attend this two-part epic finale screening which will commence at 11pm BST on 21st June with the penultimate episode, THE LEGEND OF RUBY SUNDAY, (which airs on BBC One and BBC iPlayer from 15th June), and as the clock strikes midnight, the final episode EMPIRE OF DEATH, will play on the big screen.

Showrunner Russell T Davies previously teased the finale of season one as being:

“This is a great big rip-roaring finale with the Doctor, Ruby and friends old and new fighting the greatest enemy of their lives. I can’t wait for everyone to see it!”

Dominic Walker, Global Business Director, BBC Studios, said:

“We’re delighted to be working with CinemaLive at such an exciting time for Doctor Who to bring the finale of Ncuti Gatwa’s first season as the Doctor to the big screen across the UK. Whovians are such a big part of Doctor Who so it was important for us to celebrate the end of the series with an event for fans to come together and celebrate all things Whoniverse. We can’t wait for fans to see what is in store to conclude the Fifteenth Doctor’s first season.”

John Travers, Head of Acquisitions and Distribution for CinemaLive said

“We’re thrilled to be working in partnership with BBC Studios to offer fans of Doctor Who this unique opportunity to come together and share the incredible experience of watching the epic season finale on the big screen.”

A full list of cinemas participating will be coming soon.

Produced by Bad Wolf with BBC Studios for BBC and Disney Branded Television, Doctor Who Season One is available now on BBC One and iPlayer in the UK and on Disney+ in the rest of the world, where available.

Fans will need to pre-book tickets at www.doctorwhoincinemas.co.uk from 9am on May 23rd.

Doctor Who fans knit scarf ‘longer than Clifton bridge’

Doctor Who fans knit scarf ‘longer than Clifton bridge’

Scarf in a trolley
The giant scarf was measured on the Grand Pier in Weston-super-Mare.

A giant scarf made by volunteers from across the South West now measures 267 metres (875 ft) long.

The scarf is longer than the span of Bristol’s Clifton Suspension Bridge that measures 214m (702 ft).

It was started last year as a celebration of the Doctor Who exhibition at Weston Museum that has now finished.

The team gathered earlier alongside volunteers and the council on the Grand Pier in Weston-super-Mare to measure the scarf’s final length.

Weston Museum learning officer Katherine Bell said it had become so long it had to be rolled up and carried in a trolley.

Two people laying the giant scarf down onto the pier
The scarf is 267 metres (875 ft) in length

“It’s been lovely to kind of see people giving a little bit of themselves,” she added.

“We had members of the public come in to help and people posted their knitted scarves from all over the country.”

Katherine Bell (right)
Katherine Bell (right) started the project in October last year

Ms Bell said it was lovely to see people learning how to knit so they could take part in the project and others using up their scrap yarn.

“People put little buttons or little random things on it, so it’s really nice how it kind of changes across the whole length of the scarf,” she said.

“I think knitting is something that’s kind of seen as the previous generation’s skill.

“But it’s had a bit of a revival.”

Because the scarf was too long to measure in the museum, Ms Bell said the team took it onto the pier to judge its final length.

Space Babies & The Devil’s Chord Consolidated Ratings.

Space Babies & The Devil’s Chord Consolidated Ratings.

Doctor Who returned to screens on Saturday 11th May with a double bill premiere on BBC One, BBC iPlayer and Disney+ worldwide.

The new season sees Ncuti Gatwa return as the Fifteenth Doctor, alongside Millie Gibson as Ruby Sunday, as they travel through time and space on adventures to unknown lands, to the Regency era in England, to outer space worlds and the sixties.

On Saturday 11th May, Space Babies aired at 6:20pm BST on BBC One to a live audience of 2.6m. The Devil’s Chord followed at 7:05pm with an audience of 2.4m.

BARB have now released the official seven-day consolidated ratings for the first two episodes of the new season. These figures include those who watched on BBC iPlayer and devices. Space Babies launched with 4.008m followed by The Devil’s Chord with 3.909m
For context, these two episodes were the 10th and 12th most-watched programmes of the week across all linear tv channels and streaming services.
In Space Babies, Ruby learns the Doctor’s amazing secrets when he takes her to the far future. There, they find a baby farm run by babies. But can they be saved from the terrifying bogeyman?

In The Devil’s Chord, The Doctor and Ruby meet The Beatles but discover that the all-powerful Maestro is changing history. London becomes a battleground with the future of humanity at stake.

Doctor Who continues Saturdays at 00:00am on iPlayer and Saturday nights at 6:50pm on BBC One in the UK.
BOOM OVERNIGHT RATINGS REVEALED

BOOM OVERNIGHT RATINGS REVEALED

Boom was watched by 2.04m from 6:50pm BST on BBC One in the UK. This figure does not include those who watched on BBC iPlayer in the 18 hours leading up to its BBC One showing, or those who watched on devices.

Compared to last weekend’s double bill premiere where Episode 1 (Space Babies) was watched by 2.6m, followed by 2.4m for Episode 2 (The Devil’s Chord). Consolidated ratings, which will include iPlayer and all devices, will be revealed early next week.

In the UK, episodes of Doctor Who drop every Saturday at 00:00am on iPlayer and air on BBC One at 6:50pm BST.