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Month: October 2021

Doctor Who: City of Death at The BFI

Doctor Who: City of Death at The BFI

Image from Doctor Who: City of Death
Doctor Who: The Collection – Season 17 is released on Blu-ray soon.

UK 1979
Dir Michael Hayes
With Tom Baker, Lalla Ward, Julian Glover, Catherine Schell
4x25min + bonus content
Certificate PG
Courtesy of BBC Studios

The most-watched episode of Doctor Who ever, which had over 16 million viewers when first shown in 1979 is coming to the big screen in December.

The reason that City of Death is the most-watched episode isn’t because it was co-written by Douglas Adams, or that it stars Julian Glover, nor that it was filmed in Paris — but simply that ITV was on strike at the time, and with the Saturday evening alternative being a choice of a community activity show on BBC2 or Doctor Who on BBC1, it’s not a surprise that Doctor Who won.

The story, City of Death was set in 1970s Paris and is one of those legendary Doctor Who stories, that was at the time panned by critics and Doctor Who fans for its comedy aspect, and has since become a firm favourite.

It was reputedly a very difficult story to film, being done in Paris and seemingly no one checked for French bank holidays meaning they arrived when a lot of filming locations were closed for the holiday. Tom Baker was also surprised to be left alone when in the UK he was more used to being followed around by fans. John Cleese also agreed to a cameo in the show along with Eleanor Bron, as he was filming in the BBC on the same day as they would shoot an indoor scene they needed an extra actor for.

The story was not well received at the time, especially amongst the Doctor Who fans, who are never shy at expressing their opinion about the show, criticising the light-hearted tone of the story. More recently that’s become its main appeal, along with a fairly decent plot.

Tickets to see the show on the big screen will go on sale on the BFI website at 11:30am on Thursday 4th November.

Tickets £15, concessions £12 (Members pay £2 less), restricted to two per booker.

Doctor Who: The Collection – Season 17 is released on Blu-ray soon.

Chapter Two: War of the Sontarans

Chapter Two: War of the Sontarans

In the Crimean War, the Doctor discovers the British army fighting a brutal alien army of Sontarans, as Yaz and Dan are thrown deeper into a battle for survival. What is the Temple of Atropos? Who are the Mouri?

Doctor Who: flux

Episode Title Premiere Date
Chapter Two: War of the Sontarans 07/11/2021

Credits

The Doctor Jodie Whittaker
Yasmin Khan Mandip Gill
Dan Lewis John Bishop
Writer Chris Chibnall
Director Jamie Magnus Stone
Executive Producer Matt Strevens
Executive Producer Chris Chibnall

 

Doctor Who: Flux’s cast and creators tease series 13

Doctor Who: Flux’s cast and creators tease series 13

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It’s bigger and better than ever, it’s my final (full) series, there’ll be questions asked, there’ll be answers, there’ll be exclamation marks, and huge exclamation marks and I think that in itself will pique your interest and pique your curiosity.

— Jodie Whittaker

Packed with action, humour, terrifying new villains and iconic returning monsters such as the Sontarans and the Weeping Angels, the new series of Doctor Who tells one story across a vast canvas.

It features a host of acclaimed British acting talent including Rochenda Sandall, Annabel Scholey, Craig Parkinson, Kevin McNally, Sam Spruell, Robert Bathurst, Steve Oram and Thaddea Graham.

From Liverpool to the depths of space, via the Crimean war and a planet named Atropos, which shouldn’t even exist, fighting old foes and new creatures from beyond our dimension, the Doctor and company face a race against (and through!) time to uncover a universe-spanning mystery: what is the Flux?


Interview with Jodie Whittaker

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Jodie Whittaker (The Doctor)

How did it feel filming your last series, during COVID?

We started filming late because of COVID so starting was a tentative time because none of us had shot during the pandemic. So knowing it was my last, I knew it would be very different because we weren’t able to travel, we couldn’t be tactile in that way we were. But what was immediately reassuring is as soon as you got on set, no matter if the logistics or the face of the show seemed different because of masks and all of that, all of the heart and all the love was still there and it was still great fun.

We were able to be safe as we could be and as caring as we could be and not lose the atmosphere on the set. It was such a pleasure to be around people, so I was delighted! It was emotional to start with because you hadn’t seen anyone and everyone has gone through so much to get to the first day, and you want to make sure you’re not the person to make a mistake as the domino effect can be so catastrophic on the set. Also, it was the longest time I hadn’t seen Mandip!

Did you approach anything differently coming to a serialised story?

I don’t think so. As an actor you’re so used to things changing so the change between serialisation and episode arcs doesn’t change your approach in any way – I could not quote what happened in what episode as I can see the whole story in its entirety. I just know we all start on a journey, where we go and how it pans out. The thing that’s most different is that it’s been almost twelve months (of filming) and it requires a different type of stamina than I’ve ever had to find before.

Are you excited for how it will be for audiences to see the story portrayed that way?

Definitely. Obviously for Whovians (the story) has played out in many different ways over the years, and I think it for us it was great to have had the experience of both. It was definitely the right decision for us to start series eleven, my first series, in a way that was a jumping off point for anyone that hadn’t watched it before.

And this series certainly doesn’t exclude people that haven’t seen it but it gives reason to go back and rediscover, it also has those brilliant cliffhanger moments and that, as actors and for the characters, it gives lots of different layers you can bring to it. You don’t want to play the end note in the first episode because you know you’ve got this journey to go with a particular beat or particular emotion. Even with the serialisation it’s still very episodic and each episode has its world that is different from the rest. There may be characters you see again but you certainly feel like you are taken through many different worlds and times like you would in our previous seasons.

Were there any special moments that stood out for you filming series thirteen?

For us, getting to know John (Bishop) has been wonderful. He came in at one hundred and ten (percent) with his energy and enthusiasm. He’s been so much fun to be around he’s been a massive team player. For us, we were still grieving Brad (Walsh) and Tosin (Cole) and for him to come in and not to fill anybody’s shoes and be his own person… we found a new dynamic which felt brilliant and it felt so comfortable. I think the way you meet Dan and that whole introduction; those are really fun scenes. I think all the early scenes with him and Karvanista has been really fun to shoot.

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Jodie’s Whittaker’s Doctor faces off against Karvanista, a large dog-like alien with the head of a dog and body of a man.

I’ve been lucky to enough to work with new people but I’ve been lucky enough to work with people I’ve worked with before. This is the third time I’ve worked with Jacob, I’ve worked with Annabel, we’ve played sisters before, and this was so lovely just to spend time with her. Thaddea Graham, I’ve never worked with Thaddea and she blew me away from the read through – just from Zoom I was like ‘that girl is phenomenal’.

And that’s the thing, it can be your first interaction with people or it can be and old friend stepping on set but what you always get at the end is that it’s like you’ve all known each other for years. Like I was in Kevin McNally’s company for about ten minutes and I felt like I’d known him for twenty years. We’ve had to put certain safety precautions in place, but it hasn’t in any way dampened that kind of camaraderie.

Other highlights are we’ve so many ensemble scenes, we’ve had some brilliant scenes with the likes of Craige Els, Craig Parkinson – we can feel so many people in a scene and it can feel really epic, it’s been great.

Have you gotten used to being spotted everywhere by the fans, three series on?

I’m really lucky, as whenever I have a reaction it’s always really joyous and everyone is really warm and welcoming. The fans are the show – there’s no way a show can last this many years without a loyalty and a fan base and you don’t have the show without them. To have those interactions when you have them is wonderful.

What journey does the Doctor have this series?

From where we’ve left her, I think self-discovery is the biggest journey the Doctor goes on this series.

Can you tell us about any stunts you have this series?

We’ve done a lot of wires this year, particularly for certain scenes in episode one, it was mine and Mandip’s first few days (on set). We started at energy of a hundred and then after two days I was bruised and hurt and realised that this is why there are stunt doubles, as I am pathetic!

You do a lot of flips as if you’re falling through space and have to spin yourself backwards in a rotation and make sure you don’t get tangled. It’s all wonderful as you don’t think at the time that you’ll be able to do it. I also do sword fighting in this, or maybe it is best described as avoiding being got by a sword – I really loved that. Stunts wise there is lots of action, but rather than jumping through cranes it feels like a lot of falling through space!

There are lots of exciting monsters this series – can you tell us about any that stand out for you?

The thing that’s fun about working with monsters that have been in it before but are new for me is that it makes you feel like you are getting your moment of history… like Sontarans, for me it’s my first (as The Doctor) so that was great.

The prosthetics are amazing – do you get used to working with actors that you can’t recognise?

You forget that the make-up is on them after ten minutes as you’re so used to seeing them having a cup of tea and talking to people.

Why should people tune into series thirteen?

It’s bigger and better than ever, it’s my final (full) series, there’ll be questions asked, there’ll be answers, there’ll be exclamation marks, and huge exclamation marks and I think that in itself will pique your interest and pique your curiosity.

How would you describe the series in three words?

A self-discovery rollercoaster!


Interview with Mandip Gill

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Mandip Gill’s Yaz hides around a corner wearing a leather jacket and orange blouse. Spears and shields are hanging on the wall behind her.

Mandip Gill (Yasmin Khan)

Can you tell us a bit about the journey Yaz goes on this series and the challenges she faces?

Yaz continues to go from strength to strength in terms of independence in space during this series. She can be seen to be taking charge in adventures without the Doctor but, naturally, at times is out of her depth and asks herself ‘what would the Doctor do?’. I very much enjoy these struggles as it naturally shows that no matter how many adventures she goes on, she will always need the Doctor.

Can you talk to us a bit about how it was filming one serialised story this time around and how that changed things for you?

Filming one serialised story for me personally has been great. I did love the stand-alone episodes but this way feels like I have longer to explore relationships with other characters such as Vinder played by Jacob Anderson and Jericho played by Kevin McNally. Both characters are seen in several episodes and so Yaz is able to develop a much deeper relationship with them that doesn’t end at the end of an episode. On a personal level I have really enjoyed having such amazing guest leads around for a longer period of time and sharing this experience with them.

How was it introducing John Bishop into the Doctor Who family, and what kind of relationship does Dan form with Yaz?

John was so brilliant from the beginning. He was eager and excited and I loved that about him because I am still so excited by costumes and sets and the amazing crew in Cardiff myself. Yaz and Dan have a really wholesome relationship, they have quickly managed to find a place in which they can tease one another confidentially. They really create a special bond on some of the adventures, they are able to get to know one another and can connect on a human level.

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Doctor Who’s Yaz and Dan stand outside in jackets. Her jacket is brown and soft while his is black and sleek. They’re exchanging a worried look.

Can you tell us a bit about working with Jacob Anderson?

Meeting and working with Jacob Anderson has been one of the highlights of the series for me. He is incredibly talented and such a joy to get to know.

We hear monsters and prosthetics will be on another level this year – what can you tell us? Did you feel spooked by any?

You have heard correctly; the monsters and prosthetics are on another level this year. I was so intrigued by the detail and intricacy of some of the prosthetics. We have Karvanista an alien dog and as much as I am scared of dogs in real life, he was so fascinating to look at. Craige Els playing Karvanista is over six foot tall, imagine that!

Did you do any exciting stunts this series?

We have a really exciting stunt scene over an acid ocean. Jodie and I spent the day on wires being hung upside down, spun around and winched up like small animals. Yaz also has a quick sword fight. It was a short rehearsal before the shoot, but I really enjoyed it and am excited to see how it looks.

There are some amazing guest actors this series, who have you enjoyed working with?

I have enjoyed working with all of the guest leads this year. It has been an absolute honour to work during COVID and to be able to meet new people. I have previously worked with Rochenda Sandall so it was a delight to see her again. Kevin McNally is one of the most talented actors I have had the pleasure of working with. He unknowingly taught me so much on and off screen. John (Bishop) and I joked about going to the ‘McNally school of Acting’. It was really refreshing to see how much he enjoys being on set.

What has been the highlight of your third series?

The highlight of the series for me was genuinely being able to work during COVID with the same crew as the previous series in Cardiff. They are the kindest, most funny and genuine cast and crew I have ever met.

How would you describe Series 13 in three words?

An emotional rollercoaster.

Why should people tune in to this series?

Tune into this series to see an emotional rollercoaster heavily sprinkled with old and new enemies.


Interview with John Bishop

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John Bishop’s Doctor Who character Dan stands in the TARDIS in a black jacket and jeans. He looks overwhelmed by the size and scale of the TARDIS interior.

John Bishop (Dan Lewis)

What did it mean when you got the call to be a part of Doctor Who?

It meant I could get out of the house and not be stuck in with COVID (laughs)! I’ll be honest I don’t know how big an impact this will have on my life or anything like that as it’s not come out yet, but as a life experience it’s one of the best things that I’ve done since I’ve managed to get into this world of showbusiness. I genuinely feel I’ve learned a lot and I genuinely feel I’ve made good friends, and I didn’t think that I’d come away with that.

What are the main differences between being in Doctor Who and your role as a stand-up?

The longevity, the fact you spend so much time with them, you genuinely create bonds with people. And the fact you’re part of a team.

Most of what I do is me, or ‘The John Bishop Show’ – me on the stage on my own or leading something on my own. For this I was part of something and I wasn’t the most important part which was good! In many respects the actors themselves are not the most important thing, there are so many other things that happen before that camera gets turned on and I came away with that appreciation for the skill of so many others.

How has the response been from fans so far?

So far it’s been positive but they haven’t met him (Dan) yet! I think, for me, I have been given a glimpse that once you’re in Doctor Who, you’re fixed in time in the eyes of a lot of people because they’ll come to it at different times in their lives and at different ages. And so of all the things I’ve ever done, it might be the thing that lasts the longest.

Can you tell us a bit about Dan and what you liked most about him?

I liked his humility, his willingness to help people, when we first start off he is working in a food bank. I liked his vulnerability, he’s not really lucky in love, I liked his caring nature because he cares deeply for the Doctor and Yaz and wants them to be happy. I liked his sense of what’s right and what’s wrong. He’s really prepared to stand up to those who are doing something wrong.

How did you enjoy working with this year’s guest actors?

I loved spending time with Jacob Anderson, Kevin McNally was great – it’s like a masterclass all the time with Kevin. Paul (Broughton) and Sue (Jenkins), I had a few scenes with them and it was absolutely brilliant watching them work. During one scene, I had to remind myself they were acting!

Why should audiences tune into series thirteen and can you sum it up in three words?

Fast, energetic and heartfelt.


Interview with Jacob Anderson

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Jacob Anderson’s Vinder points a gun with a glowing barrel at an unseen target. He’s wearing a military style waistcoat over a jacket and his hair hangs in short dreadlocks.

Jacob Anderson (Vinder)

Can you tell us about what it meant to get the call to say you’d be in Doctor Who? What was your reaction?

It was a complete surprise, it felt like it was completely out of the blue. But it was one of those things that I always wanted to do. There are certain goals or dreams you might have in your life and the minute you stop obsessing over them, that’s when they happen! I had no expectation at all of being asked to be part of it, and Chris swooped in and asked if I’d like to be part of this iconic show that means a lot to me.

What’s the difference between Doctor Who and other sets you’ve been on?

It actually feels like walking into somebody’s family home. Everybody knows and cares about each other and you can tell that this is a group of people who have spent a lot of time with each other and would choose to continue to. There are some people who have been working on the show for fifteen years and you feel that, but you can also feel Jodie and Chris’ influence on the environment. It’s just a really welcoming, comfortable, warm place to work.

Are there any big moments in Doctor Who history that stood out to you? Who was the Doctor that got you into the series?

My first Doctor was Sylvester McCoy, he was great and kind of kooky and a bit curmudgeonly as well – I’ll always have a special place in my heart for him. But David Tennant is just charisma to eleven, I think he’s fantastic and really defined a modern day depiction of the Doctor, so he’s probably my favourite before seeing Jodie.

I think Jodie does such a wonderful job; she does things with the character that are subtler than she gets credit for sometimes. She puts so much pathos into this alien. The Doctor can sometimes be quite clownish, skittish and jumpy and that’s really a part of the charm that she can do that, but she also has the tragedy of their life and it is all contained in it. She plays it in a really beautiful subtle performance, I really enjoy her Doctor. She makes it look effortless!

Can you tell us about who you enjoyed working with?

I really enjoyed working with Craig Parkinson, I knew him a bit before but this is the first time we’ve worked together. Thaddea is amazing, she’s an incredible actor, Mandip is one of my favourite human beings ever. Her and Jodie are like the same person but also the inverse of each other, they’re so similar but then also completely opposite. Being around them as a team is a joy, a proper joy.

How has the reaction been from fans?

I tend to hide a bit whenever there’s any type of announcement but in the immediate announcement I saw some really nice ‘welcome to the family’ type tweets from Whovians: ‘Welcome to our crazy family, it’s going to be an adventure!’ I really appreciated that and thought it was really nice. It was really nice to be welcomed, so I zoned into that and I really appreciate it.

Can you tell us a bit about Vinder?

I really hope people like Vinder, as a fan of the show and as a fan of those characters that come in and recur and are part of the story beyond their singular story, there are some really iconic characters. Like River Song, and Osgood and all these people you really remember and I hope Vinder can be a part of that, I really hope people like him.


Interview with Chris Chibnall, Showrunner

What was your vision for the series?

My vision for the series was (to create) a massive story – bigger than we’ve ever told with Jodie’s Doctor. And to start with an episode that feels like a finale and carry on from there and play out the rest of the story. I wanted it to be really epic, to be fun with lots of cliffhangers, to be surprising, and to really do things we hadn’t yet done with the Thirteenth Doctor.

What can people expect from the series?

People can expect a rollercoaster of a ride, very different episodes, six very specific chapters, lots of different places in time and space, lots of returning monsters, some really brilliant guest stars, some brand-new monsters and some of my favourite cliffhangers we’ve done!

How do you write new characters/monsters?

I think you’re always thinking ‘who is interesting for the Doctor to come up against? Who is going to reveal new things about the Doctor?’. But with villains and monsters, generally, you’re looking for an interesting visual, an interesting idea, something that will be scary or fun or a mix of both and an underlying character that will be great for an actor to play or great for the Doctor, Dan or Yaz to be going up against.

Who are the Ravagers?

They are a couple of characters who we meet, who are creatures of another dimension who have a history with the Doctor – but I even think with this I am giving too much away!

Why is it important to bring back monsters from the past like Sontarans and Weeping Angels?

First of all, it’s a joy. I think it’s always lovely to connect back into the history of the show as the history is so rich and varied. Bringing back the Sontarans was a story I really wanted to do… I felt like there hadn’t been a big Sontaran story for quite a long time. They have a great mix of threat and humour, they’re very identifiable, they’re great characters as well – a brilliant creation by Robert Holmes. They’re great because they have range. They’re dangerous, they’re violent, they’re also funny and that’s a great mix for Doctor Who.

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A Sontaran sits on a white horse wearing armour and carrying a helmet under his arm.

With the Weeping Angels, I really wanted Jodie to come up against them and we’d been thinking about a story for her for a long time, testing out ideas. They are genuinely scary and a brilliant creation by Steven Moffatt and they haven’t been in a main Doctor Who story for nine years, so they were due to come back as well. There’s lots of ideas you can explore around Weeping Angels so we’ve had a lot of fun with them.

Can you tease us about what the Flux is?

The title of the serial is Flux, it’s divided into six chapters, and the Flux is a mysterious event that is going to have an effect on all the characters in the story.


Interview with Matt Strevens, Executive Producer

How was your experience filming series thirteen?

It’s been amazing. It’s been a long journey – we thought when COVID hit to be honest we didn’t know whether we’d be back and how we’d make the show so it was brilliant to be back, to start filming again and to get the team back together again. We had a small delay due to COVID so it was lovely when we all got back on the TARDIS.

It’s been amazing actually and we’ve managed through all the challenges of the last year. The fact that we’ve gotten this far seems slightly miraculous but it’s brilliant and an amazing testament to the cast and crew. It’s brilliant to be back, it’s been a real thrill.

What’s in store for viewers this series?

Series thirteen evolved quite late in the day, we had a plan for what we wanted to do and then the pandemic hit and what we realised was that there were certain things we wouldn’t be able to do in the normal way, as we had for series eleven and twelve. So rather than be compromised – as what you want for Doctor Who is for every series to be bigger and better than the last, you don’t want to rest on your laurels – Chris came up with the brilliant idea of going ‘why don’t we just do something different for our era, wouldn’t it be great if we told one big story?’.

We knew we wouldn’t be able to do the same number of episodes in the time that we had so he came up with the fantastic idea of this overarching narrative. Each episode has the same bang for its buck, each episode has the story of the week, we’ve still gone for that filmic quality for each episode, but much more than the previous two seasons we’ve tied it together with a massive overarching story for the Doctor and huge jeopardy for the Doctor.

It picks up on a lot of the things the Doctor learned about herself and her history at the end of series twelve. I can honestly say it’s not like the previous two series. It’s huge in its scope and its scale and the jeopardy. Also we’ve really tried to go as big as could with the visuals as well, in terms of CGI and in terms of the design of the series, we really tried to pull out all the stops so when you watch the show, whether it’s in five years’ time or whenever, no one will be able to say ‘you made that during a pandemic!’. We didn’t want that to impact on the experience for the audience.

Where do we find the Doctor and her “fam” at the start of this series?

This year we’ve got the wonderful Mandip Gill returning as Yaz, but the “fam” as it was ended in the last New Year’s Day special – Revolution of the Daleks – where we said goodbye to Graham and Ryan. This year we start the adventures with Yaz and the Doctor, the Doctor is very much on the hunt for something and we encounter our new friend of the Doctor, Dan Lewis, who is played by the brilliant John Bishop.

I think when you’ve done two series of a show and you’re coming back, it’s really great to have familiarity but it’s also really great to mix it up a bit and to bring a new element to the cast and the teams on the TARDIS and to see what that brings out in the other actors. It’s great fun for Chris to create a brand-new character who I know the audience will take to their hearts almost immediately. John is just perfect in it and Dan is a glorious character – warm, funny, an action hero. It’s seamless really. The moment John walked on the TARDIS he clicked with the other two and the team and it was like he had been on it forever.

What kind of monsters do they face?

In terms of monsters we’ve got some returning favourites… so we’re bringing back the terrifying Weeping Angels who have a very sinister role to play, and a very different role to play. it’s quite an interesting development to their story if you like. The much loved and villainous, and basically warmongering Sontarans are back, with a brilliant new iteration. They’re very much the classic monster, the look is classic that has been adapted and reinterpreted for our era.

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A stone weeping angel stands in the middle of a road with its hands over its eyes.

We have two wonderful performers playing our Sontarans, and there’s great menace with them but there’s also incredible humour and Chris gets that fine line between menace and humour just perfect. I think they are going to provide lots and lots of thrills and excitement for this series. We have quite a lot of new characters and new villains!

What were some of the challenges you faced?

I think probably the biggest challenge was to keep the scale of Doctor Who as big as it had been – with every series you want to go one better than the last series in terms of that. As we couldn’t travel, the challenge was to create worlds that the audience would never know you had been curtailed by COVID. The other one was, with a really stellar returning cast, being able to get those actors back on a returning basis.

This year the guest actors have the opportunity to have recurring appearances across the episodes. Can you tell us about what we can expect?

For me it was a real joy to welcome Craig Parkinson, who I’ve worked with very briefly on Misfits, but I’ve always followed his work and career – I think he’s a wonderful actor. For him to bring his unique qualities to one of our greatest characters of the series, it was just a joy to watch him work.

Kevin McNally, I’ve watched him for years and I’ve always thought he’s an exceptional actor and talent so to have his gifts was just wonderful. He’s such a detailed actor, he has so much fun with it and there’s a wonderful quality to his performance. Mandip and John who got to spend the most time with him relished working with him and bounced off him, the whole dynamic between those three actors was taken to another level and that was a joy.

The wonderful Annabel Scholey who plays Claire, was so delightful to have around. I was blown away that Jacob (Anderson) was available (for the role) and then we realised he was a massive Doctor Who fan. Obviously Chris has worked with him previously but seeing his delight and childlike glee when he had that costume on for the first time, that was a joy to see! He’s a wonderful actor to work with, so humble and so kind.

The atmosphere on set with our guest actors, all of them have been absolutely glorious. Craige Els as Karvanista goes down as one of my favourite characters of all time, he’s an exceptional actor and it was a joy. More than ever we’ve been able to build an ensemble we haven’t been able to build before as we’ve been largely episodic so by the end of it the Doctor Who family feels properly expanded. Not only do you have a new companion in Dan (John Bishop) who is amazing, but the whole family grows substantially which is the biggest thrill out of Doctor Who: Flux for me.

What is the Flux?

So Flux is the title of the series in fact, this is the first time we’ve titled this series as it’s one epic story. It’s kind of the biggest nemesis that the Doctor has ever faced. It’s a huge destructive force but quite what it is and why it’s become unleashed will become apparent as you watch the serial unfold. It’s quite awe-inspiring and terrifying and the way it’s realised on screen will be I think quite breath-taking for the audience as they realise what the Flux is and what the Flux does.

What does Doctor Who mean to you and what will you take away from the experience?

Firstly it’s something that’s always been around in my life, it’s something I watched as a child and something that has never been out of the consciousness or cultural life of the country so it’s immense in terms of British icons, it’s that and Bond for me. So to be a part of it in a way is surreal and it’s never stopped being surreal. When it’s all over it’ll all feel a bit of a dream.

Of course there’s been challenging times but all of that is tiny in terms of what I’ll take away from it – it’s been the longest job of my television career and I doubt there’ll ever be a longer one. I take away a sense of real privilege to have been a small part in this sixty-year story, about one twelfth of Doctor Who history! Being a part of that story is a privilege and is something that no one can ever take away.

It’s nice just to be a small footnote in the Doctor Who history books and that’s something I’ll forever be thrilled about.

For anyone that hasn’t watched Doctor Who before, why should they watch the series?

If you’ve never seen it before you can step in on this story. If you like a great action-adventure story with great fully rounded characters, lots of humour, lots of explosions and really pacey storytelling. At the end of the day it’s great fun and something you can watch with the whole family, it’s something everyone can enjoy. If you were ever going to come on board with Doctor Who, now is the time.


Guest actors

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Craig Parkinson sits on sofa. He’s wearing a black suit with some gold trim and there’s a stripe of silver in his otherwise dark hair.
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Thaddea Graham wears a blue coat and holds a strange white object in her hand.
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Kevin McNally reclines in a chair in a study in Doctor Who Flux. He’s wearing a brown suit and is surrounded by newspapers and books.
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Annabel Scholey stands in front of a control panel. Two large lights beam down upon her and a chair beside her, which appears to be connected to wires and features some straps.
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Sue Jenkins and Paul Broughton stand by a car with both the driver and passenger doors open. They’re staring at something that appears to be shining a bright light on their black car.
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Rochenda Sandall sits in a wooden chair in what looks like an office. She’s wearing a black, yellow, brown and beige patterned wool jumper and is holding what looks like a digital tablet.
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Blake Harrison wears a robe and black gloves in Doctor Who: Flux.
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Nadia Albina stands outside a house on a dark road in Doctor Who: Flux.
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A man in military uniform and a feathered helmet points a gun at something off screen.
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A woman in a large multicoloured hooped skirted dress, a bonnet and blue shawl stands outside the TARDIS on a barren landscape.
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A man in a brown top hat and navy jacket holds a lamp up in a dark cave.
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A woman in a coat, hat and shawl stands half in shadow in a field or park on a dark night.
Doctor Who producer hints at follow-up to Timeless Child reveal in series 13

Doctor Who producer hints at follow-up to Timeless Child reveal in series 13

The Timeless Child revelations will be followed up in Doctor Who series 13, Matt Strevens teases.

Jodie Whittaker as the Doctor in Doctor Who (BBC)

Get ready for some fallout, Doctor Who fans! Jodie Whittaker’s Doctor will revisit some loose ends from the ‘Timeless Child’ reveal in the soon-to-launch Doctor Who series 13. Or at least, that’s what executive producer Matt Strevens seems to have implied in a new interview shared by the BBC.

Fans of the show will recall the Doctor Who series 12 centrepiece in which Whittaker’s Time Lord discovered several big secrets about herself – she was the first Time Lord ever (known as The Timeless Child), the entire Time Lord race was genetically altered using her DNA, and she has lived countless lives that she can’t remember.

Although he didn’t give much in the way of clues, Strevens said in the new interview that Doctor Who series 13 “picks up on a lot of the things the Doctor learned about herself and her history at the end of series 12.”

Viewers will be glad to hear that those huge revelations will have some sort of consequences, and it’ll be interesting to see if Jo Martin’s Fugitive Doctor – one of those secret regenerations that we just learned about – will reappear with any new insights.

Saying what he is willing to divulge about the new series, Strevens added:

“I can honestly say it’s not like the previous two series. It’s huge in its scope and its scale and the jeopardy.

“Also we’ve really tried to go as big as could with the visuals as well, in terms of CGI and in terms of the design of the series, we really tried to pull out all the stops so when you watch the show, whether it’s in five years’ time or whenever, no one will be able to say, ‘You made that during a pandemic!’ We didn’t want that to impact on the experience for the audience.”

Strevens also explained how the new series, which will run for six episodes, came together during development. He said,

“Series 13 evolved quite late in the day, we had a plan for what we wanted to do and then the pandemic hit and what we realised was that there were certain things we wouldn’t be able to do in the normal way, as we had for series 11 and 12.

“So rather than be compromised – as what you want for Doctor Who is for every series to be bigger and better than the last, you don’t want to rest on your laurels – Chris [Chibnall, showrunner] came up with the brilliant idea of going, ‘Why don’t we just do something different for our era, wouldn’t it be great if we told one big story?’ We knew we wouldn’t be able to do the same number of episodes in the time that we had so he came up with the fantastic idea of this overarching narrative.

“Each episode has the same bang for its buck, each episode has the story of the week, we’ve still gone for that filmic quality for each episode, but much more than the previous two seasons we’ve tied it together with a massive overarching story for the Doctor and huge jeopardy for the Doctor.” We look forward to seeing how it plays out for The Timeless Child.

Doctor Who: Flux begins on BBC One at 6:25pm on Sunday 31st October 2021.

Doctor Who series 13, episode 1 title revealed

Doctor Who series 13, episode 1 title revealed

Doctor Who has revealed the title for the first “chapter” of series 13 – and it seems the show’s 31st October return date may have been part of a plan.

The opening episode of the six-part series – which bears the overall subtitle of Flux – will be called… The Halloween Apocalypse.

Jodie Whittaker in Doctor Who: Flux

Pretty evocative, huh? It sounds like we can expect a suitably spooky outing for the Doctor (Jodie Whittaker) and Yaz (Mandip Gill) as they go up against the Sontarans and meet a new friend in the form of Dan Lewis (John Bishop).

The official synopsis for The Halloween Apocalypse reads:

On Halloween, all across the universe, terrifying forces are stirring. From the Arctic Circle to deep space, an ancient evil is breaking free. And in present day Liverpool, the life of Dan Lewis is about to change forever.

Why is the Doctor on the trail of the fearsome Karvanista? And what is the Flux?

Though we’ve known for a few weeks now that the first episode of Doctor Who: Flux would air on Halloween, this is our first confirmation that the premiere will be themed around All Hallows’ Eve. (Let’s face it, it’s a better fit for the show than an Easter special.)

Unlike most previous series of Doctor Who, Flux will tell one serialised story across its six episodes – all written by showrunner Chris Chibnall with the exception of episode four, which has been co-scripted by The Haunting of Villa Diodati‘s Maxine Alderton.

Sontaran redesign in Doctor Who: Flux

“It changes the rhythm of the storytelling,” Chibnall has said of this unusual storytelling approach. “It changes the way you tell the stories. It changes the way we deal with characters – characters who go across more than one episode. Monsters who go across more than one episode. And it’s probably more in line with other TV series that you’re watching currently. So it was a big challenge, and then it became a massive creative opportunity.

“So [there’ll be] lots of cliffhangers, I would say is the big thing. Which is embedded into Doctor Who – some of our biggest ever cliffhangers.”

Doctor Who: Flux kicks off on Sunday 31st October 2021 on BBC1

Michael Ferguson: 1937-2021

Michael Ferguson: 1937-2021

Michael Ferguson (1937 — 2021) - The Doctor Who Companion

Television producer responsible for invigorating EastEnders in the early 1990s, and who played a key role in Doctor Who history.

The producer Michael Ferguson, who has died aged 84, transformed the fortunes of EastEnders after it had fallen into a lull four years after exploding on to British television screens. One of his secret ingredients proved to be introducing two of the soap’s most popular characters, the Mitchell brothers – Phil and Grant.

In 1989, BBC bosses, aware of criticisms about the programme’s perennial doom and gloom, tried to introduce some lighter stories and comedy elements alongside dramas such as the canal-side shooting of “Dirty” Den Watts.

When viewers seemed confused by the change of identity and ratings continued to fall, the BBC turned to Ferguson, who as producer of ITV’s police drama The Bill since the previous year had overseen its transition from series of hour-long episodes to twice-weekly half-hours broadcast all year round, soap-style, but each with a self-contained story.

He also introduced to The Bill memorable characters such as Frank Burnside (Christopher Ellison), Tosh Lines (Kevin Lloyd) and Derek Conway (Ben Roberts) and, crucially, the programme was depicting gritty action on the streets of London in a way that EastEnders aspired to.

Ferguson arrived to take over as executive producer of the then twice-weekly BBC serial in the autumn of 1989 and the results of his overhaul were first seen the following year. Logistical changes included more location filming away from the Albert Square setting, the appointment of two producers to take charge of alternate weeks’ episodes and the writing of complete storylines.

More obviously to viewers, there was a freshness about those stories. Ferguson introduced Steve McFadden and Ross Kemp as Phil and Grant Mitchell in 1990 to bring an air of danger, adding Danniella Westbrook as their younger sister, Sam, later in the year. Another strong character to arrive was Eddie Royle (Michael Melia), an ex-police officer taking over the Queen Vic pub.

Storylines that gripped viewers once more included Diane Butcher (Sophie Lawrence) becoming a runaway living with homeless people, the return of Nick Cotton (John Altman) to try poisoning his mother, Dot (June Brown), the descent into Alzheimer’s disease of Mo Butcher (Edna Doré) and a climax to the love triangle involving Wicksy (Nick Berry), Cindy (Michelle Collins) and Ian (Adam Woodyatt).

“Drama is sometimes described as life with the boring bits taken out,” said Ferguson at the time. “The challenge is to create the interesting bits that are left in.” By the time he himself left in 1991, EastEnders was again vying with Coronation Street for the top spot in the weekly TV ratings.

Earlier in his television career, which began with the BBC, Ferguson secured himself a place in Doctor Who history with his behind-the-scenes role in The Dead Planet, the first episode to feature the Daleks, shortly after the series began in 1963.

Doctor Who: The Dead Planet (1963)
Doctor Who: The Dead Planet (1963)

Working on his first programme as an assistant floor manager – while also holding an actors’ union Equity card – he waved the first Dalek “sucker” arm, resembling a sink plunger, to be seen as it threatened the Time Lord’s companion Barbara Wright (Jacqueline Hill). The Daleks’ “bodies” were not revealed until the next part of the story.

Doctor Who: The War Machines (1966)

Then, he became one of the few directors to work with all of the Time Lord’s first three incarnations: William Hartnell, battling a self-thinking computer in The War Machines (1966); Patrick Troughton, taking on the Ice Warriors in The Seeds of Death (1969); and Jon Pertwee, in both The Ambassadors of Death (1970) and The Claws of Axos (1971).

Doctor Who: The Seeds of Death (1969)

Ferguson gained a reputation for being adventurous and inventive, with angled, “point of view” and silhouetted shots, “jump” ones that ramped up the tension, and characters filmed from below to show them looking down.

Frazer Hines, who played the Doctor’s companion Jamie in the second of Ferguson’s serials, recalled that he would challenge actors in rehearsal to perform a “speed run”, delivering their lines as fast as possible to ensure they knew them thoroughly. “It’s very good for the old brain cells,” added Hines.

Similarly, Ferguson made an impression on actors and crew with his quiet, controlled demeanour and willingness to listen to ideas. He could be self-critical, too, later saying he found The Seeds of Death adventure too slow on re-watching it.

Michael was born in New Malden, Surrey, to Mona (nee Armatage) and Thomas Ferguson, a stockbroker who served in the auxiliary fire service during the second world war, and attended King’s college school in Wimbledon.

He acted in plays at school and with local amateur dramatics companies, then during national service with the army in Cyprus and north Africa, before training as an actor at Lamda (1957-58), simply because he wanted to understand the performing process in order to become a director.

Ferguson acted and directed with Theatre Centre, a touring company visiting schools, from 1959 until 1963, when he worked as a stage director at Hampstead Theatre Club and went on to secure a job with BBC television as an assistant floor manager. The following year, he graduated from the corporation’s directors’ course and had stints directing the soaps Compact (in 1964 and 1965), The Flying Swan and 199 Park Lane (both 1965), and The Newcomers (from 1965 to 1966).

He moved on to episodes of the police series Z Cars (in 1967 and 1968) and Softly Softly (in 1967), then progressed to dramas such as Paul Temple (from 1970 to 1971) and 1972-73 episodes of Colditz.

Switching to ITV, he directed Hadleigh (in 1973) and Dickens of London (1976) before both producing and directing The Sandbaggers (1978-80) and Airline (1982). Back at the BBC, he produced the 1993-94 series of Casualty.

In retirement, he taught screen acting both to Arts Educational Schools students and professionals at the Actors Centre in London.

In 1964, Ferguson married Susan Harris, with whom he had two daughters, Tracy and Nikki. Following his divorce, he married the actor Jana Shelden in 1986. She and Tracy survive him; Nikki died in 1997.

 Michael Ferguson, producer and director, born 14 June 1937; died 4 October 2021

Doctor Who series 13 guest actors and monsters revealed

Doctor Who series 13 guest actors and monsters revealed

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I can’t wait for the audience to come on the Flux ride with us. It’s our biggest adventure yet with so many brilliant new characters to fall in love with. We had a blast making it.

— Matt Strevens, Executive Producer
The trail for the show’s thirteenth series, entitled Doctor Who: Flux, has revealed a first look at the guest actors and monsters that will feature across the six-episode serial.Joining cast members Jodie Whittaker, Mandip Gill, John Bishop and Jacob Anderson are:

Robert Bathurst (Cold Feet, Toast Of London, Downton Abbey), Thaddea Graham (The Irregulars, Us), Blake Harrison (The Inbetweeners, A Very English Scandal, World On Fire), Kevin McNally (Pirates of the Caribbean, Designated Survivor, Downton Abbey), Craig Parkinson (Line of Duty, Intergalactic, The English Game), Sara Powell (Unforgotten, Damned), Annabel Scholey (The Split, Britannia), Gerald Kyd (Cold Feet, Britannia) and Penelope Ann McGhie (The Crown, Harry Potter).

The trail also offered a preview of returning monsters – Sontarans, Weeping Angels, Cybermen, and the Ood, as well as a range of new monsters, one of whom is named Karvanista.

The new series of Doctor Who airs on BBC One and BBC iPlayer on October 31st with further casting to be announced in due course.

Matt Strevens, Executive Producer, says:

“I can’t wait for the audience to come on the Flux ride with us. It’s our biggest adventure yet with so many brilliant new characters to fall in love with. We had a blast making it.”

Robert Bathurst says:

“People say Doctor Who is science fiction. Fiction? No it’s all real, and it’s as scary to do as it looks. Great to be part of it.”

Thaddea Graham says:

“The whole cast/ crew welcomed me with open arms into the iconic Doctor Who family of which it is an absolute privilege to be part of. It’s a real honour to share the magic of this universe with them and, of course, our wonderful audience this October!”

Blake Harrison says:

“It’s a pleasure to be a part of this huge show that has such a passionate fan base! I hope all the Doctor Who fans enjoy the new series and my role in it.”

Kevin McNally says:

“I am thrilled to be helping the Doctor put the universe to rights in the latest season of Doctor Who.”

Craig Parkinson says:

‘‘I feel tremendously lucky to have joined the Doctor Who family this season. Chris’ scripts are witty, intelligent and full of light and shade, making my job as an actor extremely enjoyable! My son loves the show and as long as he gives me his seal of approval I’ll know I’ve done it justice!”

Sara Powell says:

“A role in Doctor Who is top of any actors wish list. To say I leapt at the chance is something of an understatement. Working with Jodie Whittaker – an iconic Doctor and actor – was also on my list. She was a legend. As were the cast and crew: indoors, outdoors, in winter, in Wales in the rain and mud, everyone wearing masks and being tested every 5 minutes: I loved stepping onto their ship and riding with them for a while.”

Annabel Scholey says:

“I am absolutely thrilled to be a part of the 13th series of Doctor Who. It was a lot of fun to film and I enjoyed every minute I spent with the amazing cast and crew…Halloween will be that little bit more spooky this year!”

Gerald Kyd says:

“I absolutely adored being a part of such an iconic show. There’s nothing like it. The history, the stories, the utter devotion of the fanbase. I am honoured to now count Doctor Who as a credit. Oh, and the highlight amongst highlights was working with the wonderful, hilarious and irrepressible Jodie Whittaker.”

Penelope McGhie says:

“Doctor Who was a total joy to work on. Everyone was so welcoming and generous that I really felt part of the team. Having watched the show from behind the sofa over fifty years ago, and then again with our daughter when the series was revived, I can’t believe how lucky I am to be part of the adventure!”

Directing and Writing Credits Confirmed for Doctor Who: Flux

Directing and Writing Credits Confirmed for Doctor Who: Flux

In an exclusive interview with Doctor Who Magazine, showrunner Chris Chibnall has discussed the writing and directing credits for the forthcoming Series 13.

Each of the six episodes will be scripted by Chris, except episode four, which he’s co-written with Maxine Alderton. “Maxine wrote The Haunting of Villa Diodati for the 2020 series,” he says,

“She’s brilliant. We had some other really great writers scheduled, but a lot of our plans had to be altered. Partly because the new series is a serial, partly because there are less episodes and partly because of the turnaround.”

Doctor Who - SFX Asset

The work has been divided between two directors, one of whom is familiar to regular viewers.

“Jamie Magnus Stone delivered some amazing episodes in the last series,” says Chris. “For Spyfall: Part One we threw him in at the deep end with a South Africa location shoot, a crashing plane and a new Master. And he just sailed through. He came back even stronger with Ascension of the Cybermen and The Timeless Children. He’s great visually, great with action, great with humour and great with actors. Everybody loves working with him and he’s really in command of it. Asking him back was a no brainer.”

Doctor Who - Ascension BTS

Doctor Who newcomer Azhur Saleem has directed episodes three, five and six.

“[Executive producer] Matt Strevens and [series producer] Nikki Wilson are always on the lookout for up-and-coming directors with a love of genre, and there’s a wave of incredible directing talent coming through at the moment,” explains Chris. “In addition, [composer] Segun Akinola had written the score for a short film [Muse, 2020] that Azhur had directed and he said, ‘You should see this guy, he’s really talented.’ Azhur had been in line for the last series but we couldn’t make it happen, so this year we asked him to do three episodes.”

Chris Chibnall reveals more about the forthcoming series in this month’s Doctor Who Magazine, on sale now or available to order as a subscription, either physical or digital, here.

Doctor Who: Flux premieres 31st October.

DOCTOR WHO MAGAZINE 570

DOCTOR WHO MAGAZINE 570

EXCLUSIVE SERIES 13 PREVIEW AND BIG FINISH DOWNLOAD CODE IN A BUMPER ISSUE!

Highlights of the new issue include:

  • An exclusive preview of the first episodes of Series 13, with contributions from Chris Chibnall, Jodie Whittaker, Mandip Gill and John Bishop.
  • Jacob Anderson answers questions in Out of the TARDIS.
  • Costume designer Ray Holman discusses the new-look Sontarans in Series 13.
  • Prosthetics designer Danny Marie Elias describes her work reimagining the Sontarans.
  • A tribute to the late Tony Selby, one of the most memorable guest stars of the 1980s.
  • Collectivity meets fans who are avid collectors of Thirteenth Doctor merchandise.
  • A detailed look at Doctor Who’s most successful – and not so successful – relaunches.
  • Director Alvin Rakoff shares memories of his late wife Jacqueline Hill, who played Barbara in Doctor Who.
  • Apocrypha revisits Storm Warning, Paul McGann’s first Eighth Doctor audio drama.
  • The Fact of Fiction analyses the 2007 classic Blink.
  • The DWM comic strip returns with The Forest Bride, the first part of a brand-new adventure for the Doctor and Yaz.
  • Sufficient Data explores Doctor Who’s big ideas.
  • Previews, reviews, news, prize-winning competitions, Time and Space Visualiser and more.

PLUS:

  • A 28-page supplement on the making of Series 12, written by Andrew Pixley
  • A diorama of the Fifth Doctor’s TARDIS control room
  • Four exclusive art cards
  • A download code for a free Big Finish audiobook!

Doctor Who Magazine Issue 570 is on sale from panini.co.uk and WH Smith from Thursday 14 October priced £9.99 (UK). Also available as a digital edition from pocketmags.com priced £8.99.

LETHBRIDGE-STEWART SHORT STORY COLLECTION 3 WINNERS ANNOUNCED!

LETHBRIDGE-STEWART SHORT STORY COLLECTION 3 WINNERS ANNOUNCED!

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Candy Jar Books is pleased to announce that the winner of the third Lethbridge-Stewart Short Story Competition is Peter Frankum.

In 2017, 2019 and 2021 Candy Jar offered aspiring writers and fans of the Lethbridge-Stewart series the opportunity to pen their own story. Notable entrants included Jonathan Macho (who has since written several short stories and The Lucy Wilson Mysteries book, The Serpent’s Tongue), Richard Brewer (the author of the recent Lethbridge-Stewart anthology, The Ever-Running) and the 2019 winner Megan Fizzell (who co-wrote Domination Game with Aly Leeds).

Head of publishing, Shaun Russell, says:

“It’s always a privilege going through entries and, as you can imagine, it was extremely difficult choosing a winner, but we felt that Peter’s stories were outstanding.”

Peter’s two winning stories are called Prologue and Epilogue, and sit at the beginning and end of the book.

Will Rees, editorial co-ordinator at Candy Jar Books, says:

“We have always offered entrants the opportunity to send in two stories, but not until now have we felt obliged to use both of them. Peter’s stories were both equally brilliant that we didn’t really have a choice. Peter instinctively understands the characters of Professor Travers and Anne, and offers a new perspective on their lives. We look forward to working with him in the future.”

The runner-up story is by Susan Brand. Shaun says:

“In the Lucy Wilson books we usually include a flashback prologue; basically Lucy sitting on the Brig’s knee as he recounts a fantastical story from his action-packed past. Susan has taken this concept and lovingly expanded it. As a co-creator of the series, I felt that this story was a joy to read!”

The idea for the Lethbridge-Stewart Short Story Competition came from the company’s commitment to shedding light on fresh writing talent. Since 2015 the Lethbridge-Stewart novels have championed previously unknown authors such as James Middleditch and Gareth Madgwick, alongside famous writing names in the Doctor Who universe including John Peel, Nick Walters, Simon A Forward and David A McIntee.

The Lethbridge-Stewart Short Story Collection features eight exclusive short stories featuring Lethbridge-Stewart at various stages in his life (as well as one story from the wider LSverse). This is a chance for fans to see the Brigadier like they’ve never seen him before!


The eight stories are:

Prologue by Peter Frankum

The Grotesque by Tim Beeley

The Dulcians by Dallas Jones & Roger Reynolds

And… Cut by Robert Kilmister

Feeding Animals in the Zoo by Peer Lenné

A Master of Perception by Alan Darlington

Perfect Day by Susan Brand

Epilogue by Peter Frankum

Fully licensed by the Haisman estate, and featuring concepts and characters created by Mervyn Haisman and Henry Lincoln, the Lethbridge-Stewart Short Story Collection is a must for fans new and old. Readers are advised that this book will be a limited edition release, only available to purchase directly from Candy Jar Books for £7.99 and with limited copies available.

The address to pre-order is: The Lethbridge-Stewart Short Story Collection 3 – Candy Jar Books (candy-jar.co.uk)