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Month: March 2020

Candy Jar Books Announces Lethbridge – Stewart Short Story Competition Three

Candy Jar Books Announces Lethbridge – Stewart Short Story Competition Three

Lethbridge-Stewart Short Story Competition

Following the success of the first two Lethbridge-Stewart Short Story Competitions, Candy Jar is having a third round with another competition. As with the second one, it will be open to previously unpublished writers both in and outside the UK.

Head of Publishing, Shaun Russell, says:

“In these trying times, we all need something to focus on, to keep us all sane. For a lot of people that’s writing. So it’s seems the perfect time to run another competition, give people something to aim for; a chance to write something for potential publication.”

Andy Frankham-Allen, editor of the Lethbridge-Stewart range, adds:

“This time we’re opting for a theme, something to combat the doom and gloom that threatens to overtake us all at the moment. And that theme is The Perfect Day. The challenge is, what can you do with such a theme? What kind of story does it suggest to you? How would such a story work for our characters (the Brigadier, Anne, Bill, Lucy, Hobo, etc)? And, like in the previous entries, everyone is free to use any original character from both the Lethbridge-Stewart and Lucy Wilson Mysteries ranges, plus our licenced characters. But, and I can’t stress this enough, not characters owned by the BBC or any other creator, without express permission (proof will be required).”

The winning entry will receive a Kindle Fire and Lethbridge-Stewart or The Lucy Wilson Mysteries publishing deal. All shortlisted entries will be published in The Lethbridge-Stewart Short Story Collection Vol 3.

Shaun continues:

“Our two previous winners are Sean Alexander and Megan Fizell, and we look forward to publishing their new Lethbridge-Stewart stories very soon (subject to world events, of course).”

With the opportunity to enter the brand-new writing competition, and a much wider scope for creativity, this is an exciting opportunity for any writer or fan of the Lethbridge-Stewart world.

Throughout the coronavirus isolation Candy Jar will be giving away free books on Kindle each Friday (and for 5 days afterwards). The first is The Lucy Wilson Mysteries: Avatars of the intelligence. To download visit 

The entry fee is £5. Visit here to register.

Please include:

Your name, age, email, address and telephone number.

Submissions can be entered from 29 March 2020 to 24 September 2020.

Submission guidelines for the Lethbridge-Stewart South Wales Short Story Competition:

  • Maximum of 3000 words.
  • You must include your name in the document, along with the title.
  • Word (or Word compatible) files only. We do not accept PDF submissions.
  • This competition is open to anybody, whether you’re a fan of Doctor Who and Lethbridge-Stewart or not. We’re looking for stories that utilise any character from the Lethbridge-Stewart and The Lucy Wilson Mysteries range of books (list of Lethbridge-Stewart characters here ). It is not necessary to fit within the timeline; these stories are out of the canon of the series, so feel free to let your imagination run wild!
  • A selection of free short stories will be sent to any applicant on request, should you need to see our characters in action.
  • Our license is with the Haisman Literary Estate only, therefore you CAN use any character from the Doctor Who serials The Abominable Snowmen, The Web of Fear and The Dominators, or any original character found Candy Jar Books’ Lethbridge-Stewart and The Lucy Wilson Mysteries series (except characters from Doctor Who that appeared in the ranges under express permission).
  • You can NOT use any other Doctor Who characters or monsters. (Unless you have proof of permission from the creator of the chosen monster/character.)
  • You can NOT use UNIT or any associated characters.
  • Any entries that feature a Doctor Who character not owned by the Haisman Literary Estate (and without express permission) will be instantly disqualified, with no refund.
Doctor Who: Rose sequel “Revenge of the Nestene” released online

Doctor Who: Rose sequel “Revenge of the Nestene” released online

Christopher Eccleston and Billie Piper in Doctor Who (BBC)

If the worldwide simultaneous rewatch of Rose wasn’t enough Doctor Who nostalgia for you, then we have good news – because former series showrunner Russell T Davies has written a new coda for the 2005 episode, which has been released online.

Starring Jacob Dudman (who you may recognise from various Doctor Who impression videos as well as a lot of Big Finish productions), the episode is called Revenge of the Nestene, and follows what happened next to the Auton leader after he was seemingly destroyed in the episode.

Meanwhile, the story also manages to throw in all sorts of deep-cut Doctor Who references to the Day of the Doctor, the classic series and – surprisingly – a Who story that Davies only released earlier the same day.

As it turns out, one small piece survived the Ninth Doctor’s anti-plastic, escaping into an Auton sentry (specifically a very creepy clown), swearing revenge on the Doctor (while referencing future adventures) and reflecting on how its society was destroyed in the Time War, all before finding a new, permanent form for itself.

And that form…well, we won’t spoil the ending – you’d be better off listening to the whole thing – but suffice it to say that Davies hasn’t lost his touch when it comes to a bit of sci-fi satire. But perhaps we should have known that after Years and Years anyway.

All in all, it’s the perfect coda to the great fan event that was the worldwide Rose rewatch, and just one in a long line of new releases from Doctor Who insiders past and present that have brightened up the past couple of weeks. We can’t wait to see what they come up with next.

Doctor Who returns to BBC One for Revolution of the Daleks in late 2020/early 2021

Russell T Davies writes a prequel to Doctor Who – Rose.

Russell T Davies writes a prequel to Doctor Who – Rose.

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Fans around the world will be remembering and reminiscing this anniversary with a live stream of Rose, with many using the hashtag #TripofaLifetime to chat on Twitter (including showrunner and writer of Rose Russell T Davies himself!). Why not join in from 7pm GMT? All episodes from Series 1 to 12 of Doctor Who are available to watch now on BBC iPlayer.

To celebrate this, and to unite fans of Doctor Who around the world, Russell T Davies has written an introduction and provided this prequel to Rose.

This was never meant to exist.

Way back, maybe early 2013, Tom Spilsbury, the editor of Doctor Who Magazine, asked me if I wanted to contribute to DWM’s great 50th special. Maybe addressing that huge gap in Doctor Who lore, how did the Eighth Doctor regenerate into the Ninth?

I said well, yeah, no, but, isn’t that best left to the imagination? If I write a script, it would be too real, too fixed, too canonical. But Tom’s never one to give up. He said okay, what if you wrote, say, the final pages of a Target novel? About the last days of the Time War. The Doctor’s final moments. And we could present it like a surviving fragment of the Novel That Never Was, so it exists in that half-real space of the spin-offs, possible but not factual, just slightly canon, if you so choose. Okay, Tom. You temptress. I’m in.

So I wrote this. It even starts mid-sentence, as if you’ve just turned to the last pages. Lee Binding created a beautiful cover. We were excited! And then Tom said, I’d better run this past Steven Moffat, just in case…

Oh, said Steven. Oh. How could we have known? That the Day of the Doctor would have an extra Doctor, a War Doctor? And Steven didn’t even tell us about Night of the Doctor, he kept that regeneration a complete surprise! He just said, sorry, can you lay off that whole area? I agreed, harrumphed, went to bed and told him he was sleeping on the settee that night.

So the idea was snuffed a-borning. Until 2020. When a science fiction-shaped virus came along to change our lives (honestly, I’ve written the end of the world 100 times, but I never imagined everyone just sitting at home). Emily Cook of DWM created the livestream Day of the Doctor, then turned to Rose, and asked me if I had anything to offer..? At exactly the same time, Chris Chibnall emailed me, saying we need the Doctor more than ever these days, and could I think of any material?

By some miracle this file still existed. Lee still had his illustration (naturally, because he was under a Binding contract, oh I’m so funny). And strangely, looking back, it’s funny how things fit; the Moment is described here as oak and brass, which isn’t far from the final idea (I don’t mean Billie). I wonder; I suspect, without realising, if Steven and I were both riffing off Eighth Doctor-style designs, maybe..? More importantly, the idea has come of age. This chapter only died because it became, continuity-wise, incorrect. But now, the Thirteenth Doctor has shown us Doctors galore, with infinite possibilities.

All Doctors exist. All stories are true. So come with me now, to the distant reefs of a terrible war, as the Doctor takes the Moment and changes both the universe and themselves forever…


Doctor Who and The Time War – Russell T Davies

but the Daleks and the Time Lords scream in vain, too far away to stop him now. And so the Doctor stands alone.

He looks out from his eyrie, across the wreckage of a thousand worlds. Below him, fragments of the Time War, broken reefs of Gallifrey and Skaro washed up into this backwater, to rot. His creaking wooden platform shivers with ice, a mile high, atop fragments of Morbius’s Red Capitol, its vile towers fused into the black, friable spires of Yarvelling’s Church. And yet the Doctor can see glimpses of Earth. The planet had been replicated a million times, to become the bullets fired into the Nightmare Child’s skull, and now splinters of human society have gouged themselves into the wasteland below – relics of Mumbai, shards of Manhattan, a satire of Old London Town. Remnants of better days.

The Doctor looks down. Her skeleton lies at his feet. The bones relax into dust, and she is gone. The Doctor looks up.

In front of him, at the edge of the platform, a brass handle, mounted in a simple oak casement; the only remaining extrusion of the Moment into this world, the rest of its vast bulk hidden, chained to an N-form, churning behind the dimensional wall. Screaming to be used.

He steps forward. He grips the handle. He wonders what his last words should be. He decides that last words are useless. He pulls the handle down, flat.

The Moment happens.

The universe sings.

The war ends.

Surrounded by brightness, the Doctor sees the sky above parting to reveal, just as Bettan and the Deathsmiths of Goth had predicted, the final event.

Gallifrey Original convulses and rolls into flame. Its concentric rings of Dalek warships become silhouettes, then ashes, and then –

The Doctor falls. Every atom around him is sucked upwards, towards the fire, but he alone is capable of falling, saved – or damned – by the Moment’s shadow. Above him, he feels the Time Lock solidify, sealing off the war from reality, and as his body tumbles out of existence, into plasmaspace, then foulspace, then beyond, the Doctor leans into the fall, head first, arms wide, diving into infinity.

Alone.

Except…

There.

Something else.

Falling.

Spinning..?

A whirl of blue. That faithful blue. Then a rectangle of white, widening, a doorway, coming closer, towards him, and as the grind of ancient engines reaches a crescendo, he thinks: I’m going home.

The Doctor lies on the Tardis floor. His bones broken from the fall, his hearts hollowed by his loss. Around him, the console room buckles, warps, shudders, still suffering from the High Council’s resurrection of the Master, long ago. It aches for a new shape. “Me too,” mutters the Doctor with a grim smile, though he knows regeneration is impossible. The Moment has fixed his existence, and this life is his last.

He wonders what age he’s finally reached. The Time War used years as ammunition; at the Battle of Rodan’s Wedding alone, he’d aged to five million and then regressed to a mewling babe, merely from shrapnel. Now, the ache in his bones feels… one thousand years old? Well. Call it nine hundred. Sounds better.

Darkness swills through his mind and he forces a smile, ready and yet never ready for the end. Still, no final words.

But then…

Can it be..?

He feels it once more.

That old, deep stirring in every bone and muscle and thought. The joy. The terror. The change, the impossible change!

Amazed, he lifts up his hand. Stares, fascinated, as the skin ripples with a curious new gold.

Of course. She tricked him, right at the end. Her final kiss was not a goodbye; she imprinted the Restoration within him. His lifecycle has been reset, the new man lurching outwards to be born. So this is the meaning of her final song: a whole new body to expiate the guilt. He might even pass the Restoration to another, one day.

Suddenly, they come, in a rush, his final words. He says them aloud, but there is no one to hear, allowing them to be imagined and imagined again for ever.

Then his nuclei turn into stars. Every pore blazes with light. A volcano of thick, viscous energy cannons from his neck, his hands, his feet, his guts, his hearts, his soul – It stops.

The Doctor sits up. The new Doctor, next Doctor, now Doctor. He lifts up his new fingers to touch his new head. His new chin. His new nose. His new ears. He takes a deep breath into his new, dry, wide lungs. He says his first word.

“Blimey!”

Make sure you press play from 7pm GMT to watch Rose with Doctor Who fans all over the world, to celebrate 15 years since the return of Doctor Who.

Jodie Whittaker tells fans to “stay strong”

Jodie Whittaker tells fans to “stay strong”

Is Jodie Whittaker Married? The 'Doctor Who' Star's ...

While we’re living through a crisis that could easily play out as a plot of a dystopian or sci-fi movie, it’s only right that Doctor Who star Jodie Whittaker has offered her support to us at this trying time.

Jodie Whittaker’s take on the Doctor has been game-changing in many ways, but she has now delivered exactly what we need – five steps to handle the coronavirus crisis, or “any worrying situation”, in an in-character video message.

And if anyone knows about dealing with unprecedented global threats, it’s The Doctor.

“This is an emergency transmission, if you’re seeing this, the TARDIS must have detected an upsurge in psychological signals somewhere in space and time,” she said in welcome.

Offering a comforting, albeit tongue-in-cheek take on the UK’s current state of self-isolation, the Doctor – cooped up in a what looks like a cupboard – suggested although we may call it self-isolation, she calls it hiding from Sontarans. Brilliant.

Best of all, though, the Doctor offered her two cents for survival.

“Remember, you’ll get through this, and things will be alright – even if they look uncertain,” she said.

“Even if you’re worried, darkness never prevails.”

“Two, tell jokes, even bad ones, especially bad ones. I’m brilliant at bad ones.”

Her third recommendation was to encourage kindness and openness with your loved ones, and even people you barely know, because “we’re all family”.

“Three, be kind. Even kinder than you were yesterday, and I know you were super kind yesterday. Look out for each other, you won’t be the only one worried,” she said.

“Talking will help, sharing will help. Look out for your friends, your neighbours, people you hardly know, and family. ‘Cause in the end, we’re all family.”

Whittaker then did a shout out to the NHS and – in the wider sense – science, and its role for paving the way to a brighter future.

“Listen to science, and listen to doctors. They’ve got your back,” she said.

And her fifth recommendation was a rallying command to “stay strong” and “stay positive”.


But how did Jodie manage to perform this broadcast in self-isolation, Doctor’s costume and all?

Ray Holman, costume designer for Doctor Who, answered our questions by tweeting shortly after the transmission: “I gave her a costume to take home for personal appearances or publicity purposes if needed. We always do that in between filming series.

“It’s efficient and means she can do any charity work or in this case messages for fans and children.”

Ray added that Jodie recorded the video “in isolation” and it was organised with showrunner Chris Chibnall and executive producer Matt Strevens.

Just what the Doctor ordered, really.

Read the first thoughts of the Thirteenth Doctor

Read the first thoughts of the Thirteenth Doctor

Things She Thought While Falling

For Doctor Who fans around the world, please find a message and a new Doctor Who short story, from the current showrunner of Doctor Who, Chris Chibnall.

Hello! We’re living through some strange times right now.

With people staying home, and families stuck together, I thought maybe a few little presents from Doctor Who might help. Something to read, together or alone. New treats, from the people who make Doctor Who.

We’ll try and post things here once or twice a week. Tomorrow, we’ll have a never-before-published piece written by Russell T Davies.

To start us off, I’ve written a few words about what went through the Thirteenth Doctor’s head, immediately after she regenerated and was thrown out her TARDIS.

Stay safe.

Chris x


Things She Thought While Falling

She was cold.

The Doctor was cold.

The ragged clothes weren’t helping. She was cold, and in someone else’s ragged clothes.

She felt a little peeved that the ragged clothes did not include a built-in parachute. That felt like an error.

Wait, she thought. Why would I want a parachute? Oh yes, that’s right. She remembered.

She was falling.

Air was rushing past her. Or more accurately, she was rushing past air. Tumbling through the cold night sky.

Also, she was fizzing.

Remnants of regeneration particles were still skittering off her. The process was still… in process. Her newness still in train.

The Doctor looked up, mid-plummet. Oh dear, she thought.

Far above her, the TARDIS was exploding.

That is very unhelpful, she thought.

No, wait, not just exploding. Now the TARDIS was dematerializing – while it exploded. Dematerialexploding, thought the Doctor. That’s not a word, chided the Doctor. Alright, replied the Doctor, I’m only a few minutes in here – you’re lucky I’ve got any words at all. Will you two stop arguing, chimed in the Doctor. Only if you stop sub-dividing us, replied the Doctor, this is all the same brain. Don’t confuse matters.

As the blue box vanished, leaving the Doctor looking up at a starry black sky, the Doctor wondered if she’d ever see her TARDIS again. No time to feel sorry for yourself, she told herself. Too much going on!

Yes, she thought. There was a lot going on. A large dark painful ground mass was rapidly approaching, and inside the Doctor’s body her cells continued to burn and reshape and reform.

Well, thought the Doctor. All of her. This is a conundrum.

Her newly minted mind had already had three thousand and seven thoughts over the course of three seconds. She knew because she counted, and she only realised she’d counted once she’d finished counting, and then she wondered whether the counting made three thousand and eight thoughts and then she realised that the ground was another second closer, and a plan would probably be in order.

She saw the ground and calculated her own velocity. Ooh, this is going to hurt, she thought. Even with a soft landing. And it probably won’t be a soft landing. She crossed her fingers and hoped she was heading for an open air trampoline factory.

Like that planet, what was it called, Fintleborxtug! Fun fact about Fintleborxtug, she told herself, the creature that named it did so when it was hiccuping and just before it was sick. Nobody knows if it was really the name or just the sound it made.

You don’t have to tell me that, thought the Doctor tetchily to herself, I know! I know the planetary surface of Fintleborxtug is as soft and bouncy as a trampoline, because I went for a long bounce there once among the mountains, and the purple sky. I’d just had ice cream sundaes. That was a mistake. Can you please concentrate, the Doctor thought to herself again!

She concentrated. She confirmed she was still falling. Disappointing, but not that much of a surprise given her circumstances hadn’t changed in the second since she last checked.

She wondered where exactly she was. Which sky she was falling through. Which ground she was heading for. She stuck her tongue out. It was buffeted by the air. Tickled. Ah. That tasted like Earth. Northern Europe. Britain. Wood smoke, diesel, grass, fast approaching concrete, lot of moisture and attitude in the air. Yorkshire. Possibly South Yorkshire.

She snuck another look down. A train track. A stationary train. She tried to recognise the livery on the outside of the train, so she could absolutely nail precisely where she was but it was distant and dark and regeneration had once again failed to deliver the super powered, see in the dark, X Ray vision she had always craved. Ah well, she thought, maybe next time.

Now, the train below was insisting on getting even closer. The train, or the tracks, were where she was going to land. She pondered her limited choices – tracks would hurt. Mouth full of gravel and two big metal lines all the way down her new body. Ouch. Train might be better – the roof, if she could crash through it, would soften her landing a bit (though smashing through was most likely going to hurt a lot).

With a bit of luck any injuries would be taken care of by the still fizzing regeneration process. Like those injuries the Doctor had got after he’d crashed through the roof at Naismith manor. Or the hand he’d managed to grow back after the Sycorax had lopped one off. Watch out Doctor, she thought, your personal pronouns are drifting.

That roof was super close now. She flapped her arms a bit to make sure her trajectory was bang on. As she did so, she saw that the train lights were out. She saw sparks of a light flashing in one carriage towards the back of the train. Something was wrong. And if something was wrong, she was the man to sort it out.

You’re assuming you’re going to make it through this fall alive, she reminded herself. Now, don’t be gloomy, she chided back. Things will be alright. Right now, they’re not ideal. But I can muddle through. Probably.

That’s interesting, she thought. I seem to be an optimist. With a hint of enthusiasm. And what’s that warm feeling in my stomach? Ah, I’m kind! Brilliant.

This was going to be fun, thought the Doctor, as she crashed through the roof of a train, on the outskirts of Sheffield, not far from Grindleford.

Then, having hit the floor of the train, and felt extra little regenerative energy particles heal where things had scratched and broken and hurt — newness, in train, on a train — she thought to herself: this is going to be a very interesting night!

The Doctor jumped up, zapped a creature she couldn’t quite understand and immediately made new friends.

Rose: A Re-watch with Russell T Davies

Rose: A Re-watch with Russell T Davies

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The Doctor Who Appreciation Society and fans from all over the work will be taking part in a Doctor Who re-watch of ‘Rose’ which is taking place on Thursday 26 March, (tonight) to mark the 15th anniversary. Plus, Russell T Davies is joining Twitter to take part in the live tweet for the evening!

Join in on Twitter using the hastags #TripOfALifetime #DoctorWho

The Doctor Who Appreciation Society will be giving away some issues of Celestial Toyroom as prizes during this and also a years membership as a star prize.

Steven Moffat creates brand-new Doctor Who scene ahead of special Day of the Doctor rewatch

Steven Moffat creates brand-new Doctor Who scene ahead of special Day of the Doctor rewatch

Doctor Who writer Steven Moffat (BBC, BD)

Doctor Who fans around the world are joining together for a special rewatch of 2013 special The Day of the Doctor to beat the self-isolation blues– and ahead of the big simultaneous screening, former series showrunner Steven Moffat has created a special treat for them.

GNR can reveal that Moffat has penned a brand-new short Doctor Who scene to reintroduce the anniversary special to fans, featuring a “much-loved Doctor Who character” (yet to be revealed) and set to be released online at 6.30pm GMT on Saturday 21st March, half an hour before the Day of the Doctor rewatch at 7.00pm.

Update: You can now watch the scene online.

“Seeing as we’re all stuck in self-isolation with nothing to do, and given so many fans have got engaged with this now-global Day of the Doctor rewatch party, I thought it might be fun to create a new introduction video, inspired by the one which was shown in cinemas [below] before the Anniversary Special was simulcast in 2013!” Doctor Who Magazine’s Emily Cook (who first organised the rewatch) told the press.

“I approached Steven Moffat with the idea and, amazingly, he jumped on board! He’s written a special scene which is utterly brilliant! Brand-new Doctor Who created remotely while we’re all in self-isolation. I really hope fans enjoy this! It’s a real treat!”

Written, filmed and edited remotely, the scene currently remains under wraps but looks set to only increase the excitement for the global online event, which was organised by Cook to cheer up fans as they’re forced to stay home during the COVID-19 outbreak.

“The thinking behind it is that in the absence of any new Doctor Who on TV now series 12 has finished, and given the fact that many people are stuck at home self-isolating and not able to go out for any entertainment, I wanted to find a positive way of using the power of Doctor Who to keep fans interacting,” Cook previously told the media.

“The idea seems to have gone down well so far! If it works and is a success, I’m definitely going to plan more of these ‘Who at Home’ simulcasts in the weeks to come, giving fans who are joining in the chance to vote on which episodes they’d like to watch together next.”

Starring David Tennant, Matt Smith and John Hurt among others, The Day of the Doctor was seen as a series highpoint by fans, making it a great candidate for the first of these Doctor Who simulcasts.

And who knows? Maybe as these Doctor Who screenings continue, we’ll see even more responses from the cast and creatives. If nothing else, it’s convinced Steven Moffat to (briefly) return to Twitter…

Doctor Who returns to BBC One in late 2020/early 2021

Big Finish production update

Big Finish production update

Big Finish production update

Due to the recent news about the spread of the virus, Big Finish has taken the decision to temporarily suspend the in-studio recording of audio dramas.

Speaking about the precaution to pause recording sessions, Chairman of the production company, Jason Haigh-Ellery, said:

“We have always worked considerably in advance – indeed some of our series have recordings dates that are up to four years in advance of their release date.  So we are lucky enough to have many productions already ‘in the can’.

“Subsequently, pausing recordings will cause minimal disruption to this year’s releases.

“The majority of Big Finish’s staff are freelance and work from home and so are fully able to continue to work remotely, whether writing productions for when we re-open the studios, or editing and sound designing those productions already recorded.

“However, the safety of our actors is of paramount importance and, given the advice by public health experts to limit the risk of transmitting the virus, we have taken the decision to suspended our recording schedule in consultation with the studios that we use on a regular basis.

“We will obviously continue to review all productions on a case-by-case basis and take further expert advice where necessary.

“At the moment, it is our hope to proceed with the annual Big Finish Day gathering on 6 June 2020 at Quad, Derby. If the situation changes, we will inform those who have bought tickets as early as possible.

“For now, however, it’s business as usual for Big Finish.”

The Lucy Wilson Mysteries: The Serpent’s Tongue

The Lucy Wilson Mysteries: The Serpent’s Tongue

Candy Jar Books is pleased to announce that the latest The Lucy Wilson Mysteries novel, The Serpent’s Tongue is now up for pre-order, exclusively from the Candy Jar and Lethbridge-Stewart websites.

This information is being released to coincide with Shakespeare Week, an annual celebration giving primary school children opportunities for enriching and enjoyable early experiences of Shakespeare. Written by Jonathan Macho The Serpent’s Tongue finds Lucy and Hobo time travelling back to Stratford-upon-Avon during the Shakespeare Jubilee celebrations of 1769.”

Shaun Russell, head of publishing at Candy Jar, says:

“Jonathan is an exciting new talent from Cardiff. In 2014, at the age of 19, he was a runner-up in our second South Wales Short Story competition and was featured in the accompanying book Breaking the Surface. After that, in 2016, Jonathan wrote the Lethbridge-Stewart short story The Two Brigadiers. This was well-received by our fans, so I contacted him immediately and asked him to write for the Lucy Wilson series.”

Jonathan, who is currently doing a Creative Writing MA at Cardiff University, says:

“When I first submitted work to the South Wales Short Story Competition back in 2014, which feels like forever ago, I had no idea all the brilliant opportunities that would follow. Telling a story in Lucy’s world is a privilege I’ve been working towards for a while and it’s thrilling to see the book, my first published novel, come together. The whole thing is surreal in the best possible way. The Serpent’s Tongue is special to me for a lot of reasons. I was given plenty of free reign and support from Shaun and everyone at Candy Jar, so I used the world of Doctor Who to give a platform to that most underrepresented of writers: William Shakespeare.”

The Serpent’s Tongue is a Shakespearean tour-de-force and a must for fans of the Bard. However, some children (and adults) find Shakespeare difficult to get into. Jonathan feels that Shakespeare should be fun. He continues:

“School kids can struggle with Shakespeare because of the way he’s often dropped on them without context, humour or fun, and that means they miss out on some wonderful worlds. I still remember the first Shakespeare I saw, a brilliant production of A Midsummer Night’s Dream my parents dragged me to that changed my life, no doubt about it. Lucy herself isn’t the Bard’s biggest fan, so this book is me trying to get her on board, and hopefully some of the readers too.”


Blurb for The Serpent’s Tongue:

Lucy Wilson is really getting the hang of being a hero. She’s faced alien monsters, travelled through time and saved the world more than once! So when a school trip to Stratford-upon-Avon takes a turn for the weird, throwing her and Hobo back in time hundreds of years, she’s more than ready for another adventure.

That is, until the adventure follows her home…

With alien bears on the hunt, something massive lurking in the canals and two mysterious figures watching her every move from between the curtains, Lucy needs to face up to her responsibilities and make an impossible choice.

Take your seats. The show’s about to begin.

The Lucy Wilson Mysteries is a Lethbridge-Stewart spin-off adventure inspired by characters created for Doctor Who by Mervyn Haisman and Henry Lincoln.

The Serpent’s Tongue is available from this link.