Browsed by
Month: February 2019

Doctor Who kept the Daleks’ return a secret with the help of this ridiculous codename

Doctor Who kept the Daleks’ return a secret with the help of this ridiculous codename

Version 2

Although one of the scariest Daleks we’ve seen on screen in years, it turns out the tinpot terror of Doctor Who New Year special Resolution had an absolute rubbish codename during filming: Kevin.

That’s right, to keep the return of Skaro’s deadly alien species a secret from fans, it turns out that showrunner Chris Chibnall christened the Reconnaissance Dalek with the name Kevin when he was writing the script. Which, let’s face it, doesn’t sound too scary. Especially if you say it in a Dalek voice.

Turns out killer Kev caused quite the confusion for actor Nikesh Patel, who played Mitch in the episode.

“I got a call from my agent saying they’d love you to be in the Doctor Who Special. I asked them to send me through a script and it was a cracking read, but also a confusing read,” he told Doctor Who Magazine.

“It was a really tense horror thriller, but this buried, ancient tentacled evil was only referred to by a codename! As someone who’s not a die-hard Who fan, I thought, ‘That’s a step too far, surely?’”

“In the read-through, Jodie [Whittaker] stuck with the codename”, he said with a laugh. “Although with hindsight she did it with a wry smile.”

And while revealing the codename was indeed Kevin on Twitter, Charlotte Ritchie – who played Lin in Resolution – suggested the moniker took the fright out of the alien.

https://twitter.com/Charitchie/status/1093595790046572544?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1093595790046572544&ref_url=https%3A%2F%2Fwww.radiotimes.com%2Fnews%2Ftv%2F2019-02-08%2Fdoctor-who-dalek-codename%2F

To our minds, however, handing a ridiculous moniker to any terrifying Who monster is a fantastic way to dial down its scary. Petrified by a Weeping Angel? Name it Gary. Having nightmares about a Cyberman? Call it Moe. Hunted down by, say, a tooth-faced Stenza in Sheffield? Wave hello to Tim Shaw. We’ve got the feeling it’s exactly something The Doctor would do.

With thanks to The Radio Times.

Scoring Doctor Who Series 11: An Interview with Composer Segun Akinola

Scoring Doctor Who Series 11: An Interview with Composer Segun Akinola

Photo by Charlie Clift.
Photo by Charlie Clift.

DOCTORWHO.TV: What went into making the theme tune? Can you talk us through how you got from your starting idea to the final track?
SEGUN: A lot of experimentation! I got hold of the original theme from Mark Ayres and then I played around with it. I processed some of the original sounds, I added new sounds, I created some aggressive-sounding drums by sampling some bongos and heavily adapting them and continued experimenting until I had something I was happy with.

DOCTORWHO.TV: Some fans have described your theme as a homage to the very first version. Was that your intention?
SEGUN: Absolutely, the intention was to go back to the original and to use it as a starting point. In Series 11 there’s a lot of experimental electro-acoustic music so it felt right to take this approach.

DOCTORWHO.TV: It sounds like you’ve sampled some elements of previous theme tunes – which parts have you included?
SEGUN: I’ve sampled a lot of the original but I don’t always use the results in obvious ways. I’ve used the melody as-is with no changes, the original bass parts are used but they’re now an octave lower and much more aggressive and of course for the end credits there’s the scream, which is untouched.

Photo by Charlie Clift.
Photo by Charlie Clift.

DOCTORWHO.TV: Did you create any other versions of the theme? Is there anything that didn’t make the final cut?
SEGUN: I did: I initially made 3 versions as my first stab at it, but they were more initial explorations to find the right way forward. It was immediately clear which the right way to go was so I’ve never looked back!

DOCTORWHO.TV: What were the most interesting episodes to score as a composer? Were there any episodes you found particularly challenging?
SEGUN: To be honest they’re all interesting because, musically speaking, they’re all a bit different, some more than others, and offered different challenges. Finding the right way to approach Demons of the Punjab was definitely a challenge, as was finding the right way to combine the electronic sound of Kerblam! with the more groove- based band sound, but I really enjoyed all of it!

DOCTORWHO.TV: What was it like to record the Demons of the Punjab score at Abbey Road?
SEGUN: It was such a wonderful day recording with simply amazing musicians for a beautifully heartbreaking episode, so it was incredibly special.

Photo by Charlie Clift.
Photo by Charlie Clift.
Photo by Charlie Clift.
Photo by Charlie Clift.

DOCTORWHO.TV: Was it your idea to create the different end titles music to Demons of the Punjab?
SEGUN: Well, when working on that episode I had a chat with Chris Chibnall and presented 3 different ways that I felt we could approach the end credits and he immediately felt that a version using the Indian musicians was the right way to go.

DOCTORWHO.TV: How did you tackle the Doctor’s title tracks, Thirteen and The Doctor?
SEGUN: The Doctor is taken directly from the sequence on the crane in The Woman Who Fell To Earth where the Doctor realises who she is, so it was very much about writing music that works with what we’re seeing onscreen. Thirteen, on the other hand, is a special arrangement of the Doctor’s theme put together just for the album because I wanted the fans to have a complete version of the new theme.

DOCTORWHO.TV: Many fans have noted a strong electronic feel to your score in many episodes, was this a deliberate decision for Doctor Who?
SEGUN: Yes, definitely. When I came on board the idea was to go in a new direction musically. It took some time to find the right sound but as you can hear in the series, it’s one that is influenced by different musical styles: electronic, popular, classical and electro-acoustic primarily.

Photo by Charlie Clift.
Photo by Charlie Clift.

DOCTORWHO.TV: Which track are you particularly proud of?
SEGUN: All of them! I’m really proud of the whole album. Chris Chibnall, Matt Strevens and I really took some risks on Series 11 and they’re definitely reflected in the album. I think we pushed the boundaries of what we thought was possible, even further than we anticipated.

DOCTORWHO.TV: Is there anything on the soundtrack people should listen out for? Any references or little nuggets you’ve hidden?
SEGUN: See if you can spot the themes! There are themes for the Doctor, Yaz, Graham and Ryan, plus, there’s a team theme; all of which are on the album.

DOCTORWHO.TV: The score for the New Year’s Day special, Resolution, is particularly epic. How did you approach this episode?
SEGUN: Resolution needed a slightly different approach and needed to have a bigger sound so there’s a slightly bigger orchestra in it, one that uses brass, and a much heavier band sound, all recorded in the lovely hall at AIR Studios.

DOCTORWHO.TV: What are your top tips for aspiring composers?
SEGUN: Work hard; study, study, study; listen to as much varied music as possible; go out and meet people; be nice; be friendly; be a storyteller; be the best version of yourself that you can be!

The soundtrack for Doctor Who Series 11 is available now on CD and as a digital download. Order here.

With thanks to Doctor Who.TV

DOCTOR WHO MAGAZINE 535

DOCTOR WHO MAGAZINE 535

Image result for DOCTOR WHO MAGAZINE 535

RESOLUTION’S DIRECTOR WAYNE YIP TELLS DWM HOW HE BROUGHT THE 2019 NEW YEAR’S DAY DALEK STORY TO LIFE!

Doctor Who Magazine 535 also includes:

  • An exclusive preview of the Doctor Who: The Collection – Season 18 Blu-ray box set – and a look behind the making-of Logopolis‘ digital makeover
  • An exclusive interview with Season 18’s script editor Christopher H Bidmead
  • DWM investigates the story of the 1960s Doctor Who audio recordings which were discovered in a skip at the end of 2018
  • A visit to one of the Doctor Who escape rooms which are opening across the UK
  • An interview with Feifei Ruan, the artist commissioned to create Chinese-inspired Doctor Who artwork for Shanghai Comic Con
  • Part One of Herald of Madness, a brand-new comic strip adventure featuring the Thirteenth Doctor and her friends
  • The Time Team watches 2006’s Love & Monsters and explores what it means to be a Doctor Who fan
  • The Fact of Fiction delves into the 1980 Fourth Doctor story Full Circle
  • An in-depth look at how Resolution performed in the ratings
  • The Blogs of Doom, reviews, previews, news, prize-winning competitions and much, much more!

DWM 535 is on sale from 7 February, priced £5.99.

Tom Baker reads his debut novel ‘Scratchman’ and more in the latest Doctor Who releases from BBC Audio for early 2019

Tom Baker reads his debut novel ‘Scratchman’ and more in the latest Doctor Who releases from BBC Audio for early 2019

Doctor Who

BBC Audio welcomes in the New Year with a range of brand new Doctor Who audiobooks for January and February 2019.

The Tenth Doctor Novels series reaches its fourth and final volume with the three BBC Books stories starring David Tennant’s incarnation of the Doctor and featuring the return of three old enemies. The stories are read by Christopher Ryan, Georgia Moffett and Will Thorp, who will also be familiar to fans of the Tenth Doctor’s TV era.

BBC Audio’s first Audio Original story of 2019 is The Elysian Blade by David Bishop, a Second Doctor tale set on a distant Earth colony and read by Frazer Hines, who played companion Jamie during the Patrick Troughton era.

On the subject of popular companions, both Leela, played by Louise Jameson and the redoubtable K9 appear in Doctor Who and the Sunmakers, BBC Audio’s latest classic novelisation, read by Louise herself with John Leeson providing the voice of K9.

Scroll down for further details about what’s available to to buy on CD and download from BBC Audio in early 2019.


Christopher Ryan, Georgia Moffett and Will Thorp read three original stories featuring the Tenth Doctor, as played on TV by David Tennant.

Join the Tenth Doctor on these brand new journeys in time and space! In The Taking of Chelsea 426 he visits a city-size colony floating on the clouds of Saturn, just as some familiar foes arrive: the Sontarans. In Autonomy an unspeakable terror is lurking on Level Zero of Hyperville, the hi-tech, 24-hour entertainment complex where the stage is set for a battle with the Autons. And in The Krillitane Storm the Doctor finds medieval Worcester threatened by the legendary Devil’s Huntsman, in reality a menace he has encountered before.

The Taking of Chelsea 426 by David Llewellyn is read by Christopher Ryan.
Autonomy by Daniel Blythe is read by Georgia Moffett.
The Krillitane Storm by Christopher Cooper is read by Will Thorp.

Doctor Who: Tenth Doctor Novels Volume 4 is available on Amazon and Audible now.


In his first-ever Doctor Who novel, Tom Baker’s incredible imagination is given free rein.

The Doctor, Harry Sullivan and Sarah Jane Smith arrive at a remote Scottish island, when their holiday is cut short by the appearance of strange creatures – hideous scarecrows, who are preying on the local population. The time travellers have fallen into a trap, and Scratchman is coming for them.

With the fate of the universe hanging in the balance, the Doctor must battle an ancient force from another dimension, one who claims to be the Devil. Scratchman wants to know what the Doctor is most afraid of. And the Doctor’s worst nightmares are coming out to play…

Tom Baker himself reads this legendary Doctor Who adventure, a spine-chilling thriller forty years in the making, so epic it was originally intended for the big screen.

Doctor Who: Scratchman is available on Amazon and Audible now.


Frazer Hines reads an intriguing original story featuring the Second Doctor and his companions, Jamie and Victoria.

Fleeing from the rising tide on a distant planet, the Doctor and his friends are attacked by a swarm of what appear to be tiny insects. Wracked by hallucinations, Jamie is transported back to his home in the Highlands, whilst Victoria sees her late father.

The travellers meet the survivors of Elysian Fields, a travelling hospital that offers patients a choice between the Blade of Longing and the Angel of Forgetting. When the spaceship lands, the TARDIS crew are offered the chance of a lifetime.

For Victoria, the promise of meeting her father again proves too alluring to resist. But what terrible price must she pay, along with anyone else who makes a pact with Elysian Fields?

Doctor Who: The Elysian Blade will be available on Amazon and Audible from 7th February.


Louise Jameson reads this classic novelisation of a Fourth Doctor TV adventure featuring Leela and K9.

Everyone knows that Pluto is a barren, airless rock. So naturally the Doctor is surprised when he discovers artificial suns and an ultra-modern industrial city. What’s more, a group of colonists is being worked — and taxed — to death in this inhospitable and supposedly undeveloped part of the Universe.

With the help of his companion Leela, and the faithful K9, the Doctor teams up with the rebels who inhabit the city’s underbelly. Together they take on the mysterious and powerful Company, a ruthless exploiter of planets and their people.

Louise Jameson, who played Leela in the BBC series, reads Terrance Dicks’s unabridged novelisation of the 1977 TV adventure by Robert Holmes, starring Tom Baker as the Doctor.

Doctor Who and the Sunmakers will be available on Amazon and Audible from 7th February.


Coming in March and April 2019…

  • Doctor Who: The Lost TV Episodes Volume 1 (First & Second Doctor TV Soundtracks), written by various authors
  • Doctor Who: The War Machines (First Doctor Novelisation), written by Ian Stuart Black
  • Doctor Who: The Winged Coven (Fourth Doctor Audio Original), written by Paul Magrs
  • Doctor Who: The Nest Cottage Chronicles (Fourth Doctor Audio Originals), digital release only, written by Paul Magrs
  • Doctor Who: Warrior’s Gate (Fourth Doctor Novelisation) written by Stephen Gallagher writing as John Lydecker

All titles are available from Amazon and Audible in January and February. Check back our site soon for an in-depth look at March and April’s releases.

IT’S OFFICIAL! THE NEXT DRAMA FROM REELTIME PICTURES WILL STAR NABIL SHABAN AS SIL!

IT’S OFFICIAL! THE NEXT DRAMA FROM REELTIME PICTURES WILL STAR NABIL SHABAN AS SIL!

SIL AND THE DEVIL SEEDS OF ARODOR is set for release on the 4th November 2019.

Written by PHILIP MARTIN (SIL’s creator and author of “VENGEANCE ON VAROS” and “MINDWARP”, this brand-new drama brings one of DOCTOR WHO’s most popular villains back to our screens and we are delighted that NABIL SHABAN will be reprising the role only he could ever play!

This hour-long drama is set for release on both DVD and BLU-RAY from KOCH!

The BLU-RAY will be a LIMITED EDITION of only 1000 COPIES – so get your pre-orders in NOW to avoid disappointment. There will not be more copies produced- EVER!

Right now you can order either release from Galaxy 4:

https://www.galaxy4.co.uk/search.thtml…

The DVD is up on Amazon. The BLU-RAY will be there soon.

https://www.amazon.co.uk/Blood-Sto…/…/B079ZSSHWM/ref=sr_1_4…

Much more news to follow shortly … including an incredible cast!

SUPPORT YOUR LOCAL INDEPENDENT PRODUCER AND ORDER NOW!

Russell T Davies and Steven Moffat on life after Doctor Who

Russell T Davies and Steven Moffat on life after Doctor Who

For well over a decade, Russell T Davies and Steven Moffat were at the heart of Doctor Who, both showrunning the popular sci-fi series through some of its most successful years – but despite often being compared, the two screenwriters say they never feel like they were in competition.

“I think people half expect us to be rivals and enemies, but we love each other,” Davies told RadioTimes.com when Moffat unexpectedly joined the interview at the Radio Times Covers Party in Claridge’s Hotel, London.

“We do, hooray. It’s all that Doctor Who nonsense.”

“I love this man too,” Moffat said in an exclusive video conversation which you can watch below – but that didn’t stop him teasing his former Doctor Who colleague about the time they worked together, especially now that both men have handed over showrunning duties to Broadchurch’s Chris Chibnall.

When asked if he still found himself coming up with Doctor Who ideas, Davies was a resounding “No,” much to the chagrin of his fellow writer.

“He never did at the time, frankly,” Moffat joked. “I had to do it all!”

“I used to get his factory sweepings – that’s all I had!” agreed Davies.

“I still think of monsters,” Moffat added. “Do you never think, you see something scary and think ‘that could be a Doctor Who monster?’ I do think that, I honestly do.”

“No, it stopped with me like that,” Davies replied. “Bang. Though I do see films and I think ‘That’s Doctor Who-ey’ and stuff.

Frankly, Davies explained, he’d been more than happy just experiencing the series as a fan since his departure in 2010, a perk that successor Moffat had only recently been reintroduced to after handing over the top job to Chris Chibnall at the end of 2017.

“It’s not a new experience, watching from the sidelines,” Moffat said.

“We grew up doing that, and it would be awful if it was not on. That’s the nightmare. The idea that Doctor Who would not be on.”

“It’s not strange, it’s lovely, because it’s Doctor Who,” Davies said. “After all, I used to sit and watch our own! On a Saturday night I’d sit and watch it going out like a viewer.”

And even if they did want to be involved, the pair joked that new boss Chris Chibnall wouldn’t let them.

“We’re sitting outside those gates in Cardiff, crying ‘Let me in!’” Davies laughed.

“Chris…Chris….I’m in your garden. This tent its leaking, let me in,” added Moffat.

“He’s in South Africa tonight. Are we allowed to say that? He’s filming Doctor Who” Davies continued.

“In my day we scheduled the filming around this party. Come on! What’s more important than this? Actually we didn’t go to South Africa for 10 weeks in my day! Bloody ‘ell. Very nice.”

The pair went on to chat about their admiration for Chibnall and leading lady Jodie Whittaker’s new vision of Who, and shared some tips for other TV shows – they’re both enjoying Star Trek: Discovery and Money Heist, if you’re looking for recommendations – before hinting at some tantalising gossip about stars who turned down Doctor Who roles during their tenures.

There is a list. A list of infamy, of people I will NEVER work with,” joked Moffat.

“Oh there are, but you just don’t name them, do you?” Davies added.

“No, I can’t. You can’t name them, because you journalists would turn up at their door tomorrow morning going ‘why didn’t you want to be in Doctor Who?’

“There was one surprising one who I’m not going to name, but I used to think ‘Wow – they don’t want to be in Doctor Who!’ I’ll tell Steven later. He probably tried as well.”

And after their all-too-brief reunion, the pair went their separate ways for the night – and clearly, they still had Doctor Who on their minds.

“I’m off to see Chris, he lets me in now,” Moffat deadpanned as he said goodbye.

“In South Africa?” asked Davies.

Well, he says to YOU he’s in South Africa…” Moffat replied.

Now we just have to get all three of them together next time…

Doctor Who returns to BBC1 in 2020

Doctor Who Series 12: The Writers

Doctor Who Series 12: The Writers

Some members of the Doctor Who Series 12 Writers Room have been discovered.

So far, including showrunner Chris Chibnall, they are two Doctor Who Series 11 writers set to return, Ed Hime and likely Vinay Patel.

Ed Hime’s online CV lists “DOCTOR WHO (SERIES 12).”

Vinay Patel’s connection to Doctor Who Series 12 is slightly more tenuous and based on this tweet:

Patel’s recent presence at Roath Lock Studios, where they film Casualty and Pobol y Cwm(a Welsh language show) as well as Doctor Who is a very good indication that he is once again involved in the writers room for Doctor Who. Patel has never previously written scripts for Casualty and wouldn’t write for a Welsh language show.

Two new writers, Victoria Asare-Archer and Prasanna Puwanarajah were also discovered.

The Doctor Who Magazine 2019 Yearbook gave some insight from some of the Series 11 writers on how the Writers Room for Doctor Who works.

Ed Hime gave the best description of how the process works:

“Chris [Chibnall] explained why he’d brought us in to help him. People would pitch ideas and he would maybe pick a tiny piece of an idea and encourage us to focus on that. We’d rework that and try to take it to a new place together. But once that idea reached a certain point it would be given to a writer, and then it would be their responsibility to bring it in as script. Along the way the original idea might change a lot.”

“He was very clear about his vision and where he wanted to take the show. Chris told us he wanted Doctor Who to be accessible and inclusive for everyone. He said we should especially remember the eight-year-olds who would be watching, and that we had to bring the next generation of viewers to the show. A big reference point for that was ET-era Spielberg; those stories of wonder and innocence that had scares and real danger. That was the touchstone that really resonated with me.”

Vinay Patel:

“…it was clear to me from the start that Chris [Chibnall] was interested in direct, character-led storytelling and that helped me to adjust my approach. I was also particularly taken by what felt like Chris’ desire to inject hope into this incarnation of Who.”

Joy Wilkinson:

“[Chris Chibnall is] just brilliant and genuinely collegiate. He really wants to empower you as a writer. He wants you to be as involved as you can be. I’ve worked in telly a fair bit but before this I’d never been in the grade for something I’d written, or in the sound mix. The degree to which Chris invites you to be part of the process is unique, in my experience. There was never the sense that your job was done once you delivered the script.”

There is no word yet on whether Malorie Blackman, Joy Wilkinson or Pete McTighe returned to the Doctor Who writers room for Series 12.

Doctor Who Series 12 airs very early in 2020.

Clive Swift: 1936-2019 RIP

Clive Swift: 1936-2019 RIP

Clive Swift has died aged 82. He played Hyacinth Bucket’s long-suffering husband Richard in Keeping Up Appearances, Mr Copper in Doctor Who’s Voyage of the Damned, Mr Jobel in Revelation of the Daleks and so much more. He passed away this morning after a short illness, his agency has confirmed.

Born in Liverpool in 1936, he had three children with his ex-wife, the novelist Margaret Drabble.

Swift’s many roles included a part in Alfred Hitchcock’s 1972 film Frenzy and as King Arthur’s adopted father in 1981 film Excalibur.
Many years later, he would play Hitchcock in a BBC radio play called Strangers on a Film.

https://twitter.com/lizo_mzimba/status/1091367952245350400?s=21