Production continues on Doctor Who series 11, with Jodie Whittaker and Bradley Walsh both now on set and leading the cast filming the new series of the show.
Over the last week or so, Doctor Who has been on location in and around Newport. However, the travels this week see the show go further north. It’s being reported that a night shoot is heading to Sheffield on November 21st (that’s tonight!), following filming during the day in the area yesterday. Production appeared to be set up at Sheffield bus and train stations on Monday.
This is still all likely to be for the first block of filming for series 11. Block one is covering episodes one and seven as we understand it, both of which Jamie Childs is directing.
Filming on the series is set to continue until next summer. Let’s see where Jodie Whittaker and her TARDIS will land next…!
Candy Jar Books is pleased to announce a new addition to its limited edition Lethbridge-Stewart novella range!
The Lost Skin by Andy Frankham-Allen, features Professor Edward Travers, Harold Chorley and Samson Ware, in a mystery that takes them to John o Groats and the Orkney Islands.
Originally intended as a novella, Candy Jar previously published parts one and two of The Lost Skin in The HAVOC Files 2 and 3, and will now be completed (with 50% new material) as the novella it was originally designed to be.
Range Editor and author, Andy Frankham-Allen explains: “When I first came up with the idea for The Lost Skin, or When Harry Met Larry as I called it then, I didn’t even tell Shaun (Russell, Candy Jar head of publishing) about it, intending to simply write it without worrying about a deadline, and then let him know it existed. But when it became clear that The HAVOC Files 2 was under length I mentioned the novella, and Shaun suggested we seralise it. I was a little cautious, but decided to go for it. Sadly, when I was trying to work on part three, a few things occurred in my personal life which brought on the horrid return of depression and I just knew there was no way I could complete The Lost Skin in such a piecemeal way.”
Shaun Russell says: “Obviously the mental wellbeing of my authors, and in this case range editor, is important so I told Andy to just stop, focus on something that would help him straighten out his mind again. Which he did. Later the topic of The Lost Skin came up again, and we decided maybe it would be better to finish it as the novella Andy had intended it to be.”
Andy says: “This suited me better, and as I was in the process of ‘clearing the decks’ mentally, I decided that not only would I finish The Lost Skin, I would add material to the first two parts so that the novella version would contain a good fifty percent new material. This way, not only do I tell the story properly, but the readers will get enough new material that, for those who read parts one and two, they will feel like they’re almost reading a new book.”
The Lost Skin features Professor Travers, but also brings back Harold Chorley and his old chum, Larry Greene. Andy explains: “Larry Greene was never meant to be. He was designed as a replacement for Harold Chorley in The Schizoid Earth, as Chorley’s appearance in that book contradicted the events of the then-forthcoming novel, Mutually Assured Domination. That’s the real world reason why they seem so similar. But in the fiction, there needed to be a reason for this similarity, and so I came up with a back-story, one I never revealed to anybody, although hints have been given in the Lethbridge-Stewart novels over the last few years. So, one of the main goals of The Lost Skin is to finally bring Harold and Larry together (and throw our other journalist, Charlie Redfern, into the mix) and explain their back-story.”
The cover is by regular artist Adrian Salmon, who was selected specifically for this cover by Andy. He says: “All our artists have their own particular approach and we love them because of this. However, I really wanted Adrian’s stark style for this cover. It really sums up the emotional isolation I’m trying to depict in the book.”
The cover features both Harold Chorley and Larry Greene, as well Samson Ware and the ‘lost skin’ of the title, against a nice backdrop of the Orkney Islands. Adrian Salmon says: “I love a good symbolic cover, and this was the perfect opportunity by showing Samson examining the empty skin representing the mystery of the Selkie that gives title to Andy’s book.”
Blurb:
Brigadier Lethbridge-Stewart is on leave in New York, but in Scotland word reaches the Fifth Operational Corps that Harold Chorley, journalist and pain in Lethbridge-Stewart’s rear, has got wind of the Corps’ presence in Stirling.
A plan is set in motion to take Chorley on a wild goose chase to John o Groats, as far from the Corps as possible. RSM Samson Ware and Professor Travers travel to the edge of Scotland, leaving a trail of breadcrums, which are picked by Chorley and his old chum, Larry Greene.
But it soon becomes clear that there is a real mystery in John o Groats, a strange link between Mhairi Docherty – a woman from Huna – and the Orkney Islands, and the local legend of the Selkie. To protect Mhairi, Samson needs to sideline Chorley and Greene, but the ever-erratic Professor Travers has other plans.
What is drawing Mhairi to the Orkney Islands? What hold does Chorley have over Greene? And, more importantly, what links Chorley and Greene to the secret history of Mhairi?
Rodney Bewes as Stien in Resurrection of the Daleks (1984)
Rodney Bewes has died aged 79, his agent has confirmed.
The actor had a career spanning 60 decades and is best known for playing Bob Ferris in sitcom The Likely Lads. Doctor Who fans will remember Rodney from the 1984 story “Resurrection of the Daleks”, in which he played Stien.
His agent issued a statement saying: “It is with great sadness that we confirm that our dear client, the much-loved actor Rodney Bewes, passed away this morning.”
The statement paid tribute to the actor, calling him a “true one-off” and a “brilliant storyteller”.
“He had a funny anecdote for every occasion. Our thoughts are with his family and friends at this sad time. We will miss him terribly.”
Bewes was originally from Bingley in Yorkshire but moved to Luton as a child.
He is survived by his four children – Billy, Joe, Tom and Daisy – and his two grandchildren, Oscar and Eliza.
Teaming Bewes with fellow actor, James Bolam, it regularly drew audiences of more than 20 million.
Despite the success of a sequel, the two fell out in spectacular style – effectively ending the chance of the series being continued.
It turned out to be the peak of Bewes’s career and he later found himself reduced to playing a series of less distinguished roles.
Rodney Bewes was born in Bingley, Yorkshire, on 27 November 1937.
His family later moved to Luton in Bedfordshire where his schooling was often interrupted by ill-health.
He answered a newspaper letter from a BBC producer asking for children to appear in the Corporation’s Children’s Hour.
He appeared alongside his friend Tom Courtenay in Billy Liar
By the age of 14 he had appeared in a number of BBC TV productions including a role as Joe in a 1952 adaptation of The Pickwick Papers. He also secured a place at the Royal Academy of Dramatic Art’s preparatory school.
“All the kids were posh and they were the children of actors in the West End of London and I’m just this boy from Bingley, near Bradford, and broad Yorkshire,” he later recalled.
After completing his National Service in the RAF he returned to Rada.
He financed his studies by washing up in hotels at night, something that caused him to fall asleep during the day which culminated in him being asked to leave the Academy.
He managed to secure some small stage roles, as well as parts in TV productions including Dixon of Dock Green, Emergency Ward 10 and Z Cars.
Aspirational
He made his film debut in 1962 in Prize of Arms, a yarn about a gang which attempts to rob an army payroll convoy. The film is notable for early performances by a number of later well-known actors including Tom Bell, Jack May, Michael Ripper and Fulton Mackay.
A year later he secured the role of Arthur Crabtree in Billy Liar, alongside his friend, Tom Courtenay.
It was the age of British cinema’s so-called new wave when filmmakers were turning their attention to gritty working-class dramas and desperate for actors with regional accents.
There was a brief spell as straight man for Basil Brush
Despite Bewes hailing from Yorkshire, rather than Tyneside, he was cast as Bob Ferris in The Likely Lads, a sitcom conceived by Dick Clement and Ian La Frenais.
His aspirational character was in direct contrast to that of his friend, Terry Collier, the workshy, cynical figure played by James Bolam. Much of the comedy revolved around Bob’s attempts to become middle-class in the face of constant derision from Terry.
The final series ended in 1966 and Bewes played a number of TV parts and was also in films including Man in a Suitcase, Spring and Port Wine and a star-studded musical version of Alice in Wonderland in which he played the Knave of Hearts.
He spent a year as “Mr Rodney”, who was one of a series of stooges for the puppet, Basil Brush, before creating and starring in the ITV sitcom Dear Mother… Love Albert. It showcased his skills as a scriptwriter and proved to be popular with audiences.
Despite Bewes hailing from Yorkshire, rather than Tyneside, he was cast as Bob Ferris in The Likely Lads, a sitcom conceived by Dick Clement and Ian La Frenais.
His aspirational character was in direct contrast to that of his friend, Terry Collier, the workshy, cynical figure played by James Bolam. Much of the comedy revolved around Bob’s attempts to become middle-class in the face of constant derision from Terry.
The final series ended in 1966 and Bewes played a number of TV parts and was also in films including Man in a Suitcase, Spring and Port Wine and a star-studded musical version of Alice in Wonderland in which he played the Knave of Hearts.
He spent a year as “Mr Rodney”, who was one of a series of stooges for the puppet, Basil Brush, before creating and starring in the ITV sitcom Dear Mother… Love Albert. It showcased his skills as a scriptwriter and proved to be popular with audiences.
The series saw Bolam’s character Terry return from his time away in the army to discover that Bewes’s Bob has bought his own house, secured a managerial job and is engaged to the boss’s daughter.
Off stage the pair enjoyed a warm relationship.
“We were great friends,” said Bewes.
“When my babies were born, his was the first house I went to.”
In 1975 there was a film spin-off which proved to be the last time the pair worked together. Bolam was famous for guarding his privacy and was furious when Bewes let slip to a newspaper that Bolam’s wife, the actress Susan Jameson, was pregnant.
Whatever Happened to the Likely Lads was even more successful than the original series
After a fraught phone call the two did not speak to each other again. Bolam was so incensed that he refused to appear on an edition of This Is Your Life, which featured his former acting partner.
“It’s this actor’s ego thing: he thinks he is important,” Bewes once said.
“Actors aren’t important. I’m not important; I have fun. I think Jimmy takes himself very seriously as an actor.”
Bewes’ acting career never again scaled the heights of Likely Lads. There were bit parts in the films Jabberwocky and The Wildcats of St Trinians and he was able to use his abilities as a serious actor in a 1980 TV adaptation of the Restoration play, ‘Tis Pity She’s a Whore.
Props
Earlier in his career he had appeared in productions of She Stoops to Conquer and there was a role in a 1984 production of George Gascoigne’s play Big in Brazil at the Old Vic Theatre in London, with Prunella Scales and Timothy West.
In the same year he also appeared in a Doctor Who story entitled Resurrection of the Daleks. It was one of his last significant appearances on the small screen.
He had some stage success with his one-man shows, Three Men in a Boat and Diary of a Nobody, which he toured for more than a decade. He won a Stella Artois Prize for the former at the 1997 Edinburgh Festival.
His role in Resurrection of the Daleks was one of his last TV appearances
His wife, the designer Daphne Black, whom he married in 1973, acted as his helper, setting up the stage and the props for his various performances.
Bewes never gave up on the idea of a revival of The Likely Lads, feeling that the characters were still relevant 40 years on.
“Instead of being the Likely Lads, we’d have been the Unlikeliest Granddads,” he said.
“We would have been sitting on a park bench in a pair of grubby grey anoraks, feeding the pigeons and grumping about youngsters.”
Doctor Who theme’s co-creator honoured with posthumous PhD
Delia Derbyshire in the BBC Radiophonic Workshop. Photograph: BBC Photo library
The under-appreciated electronic music pioneer behind the Doctor Who theme is to be honoured posthumously with a doctorate from her hometown university as the programme gears up for the debut of its first female lead.
Largely ignored in life and barred from working in studios because she was a woman, Delia Derbyshire, will be awarded an honorary PhD from Coventry University on Monday.
Mostly unknown and uncredited during her lifetime, she created a new wave of sounds and arrangements in music during the 1960s and 70s, and paved the way for more women to work in the music production business.
Born in Coventry in 1937, Derbyshire’s unique sonic palette was shaped by sounds of the Blitz and the air raid sirens that surrounded her as a child. Highly academic, she won a scholarship to study maths and music at the University of Cambridge, where she immersed herself in sound.
After graduating, Derbyshire struggled in what was predominantly a man’s industry, being told by Decca Records that it did not employ women in its studios. She turned to teaching but refused to give up and eventually found work as a trainee studio manager at the BBC.
It was here, in 1962 that she gained access to the experimental Radiophonic Workshop, developing an entirely new type of music by playing notes on tape and then speeding them up or slowing them down.. She went on to transform a written score by Ron Grainer for a new TV series, Doctor Who, into an iconic piece of electronic music.
Due to BBC policies at the time, Grainer – unwillingly – is still officially credited as the sole writer.
Derbyshire stayed at the workshop for 10 years, recording sound for Inventions for Radio and Cyprian Queen – all in the days before modern synthesisers and machines. She was later approached by Paul McCartney to work on a backing track for the Beatles hit Yesterday.
But despite her talent and credit from her peers, Delia failed to gain widespread recognition during her lifetime, eventually becoming disillusioned with the industry and finding work as a radio operator in Cumbria. She later worked in a museum in the area, before taking up a position in a bookshop in Northampton where she met her partner, Clive Blackburn.
She died aged 64 in 2001, and has since been widely acknowledged as a pioneer in electronic music, having inspired the likes of the Chemical Brothers and Sonic Boom.
Mark Ayres, a composer and sound designer at the Radiophonic Workshop, said: “Any composer of my generation with an interest in electronic sound and music cannot fail to have been influenced by Delia’s talent. It is very fitting that Delia is receiving this posthumous honorary doctorate from Coventry University. Delia was proud of her roots in the city and deeply affected by the damage wreaked upon it during the second world war, though much inspired by the sounds she heard around her during that time.”
Blackburn, Derbyshire’s partner of 21 years, said: “Delia would be really excited by the developments in electronic music. Digital technology is finally catching up with what she managed to achieve manually in the 1960s using the most rudimentary of equipment.”
Coventry University will launch a series of school workshops in Derbyshire’s name on Friday to try to inspire a new generation of children – especially girls – to pursue maths and music. Linked to a touring play about her life, Hymns for Robots by Noctium Theatre, the partnership project will share the story of Derbyshire and her creations at the BBC Radiophonic Workshop.
First look at newly-animated “lost” Doctor Who episode Shada
Throughout Doctor Who history many episodes of the sci-fi series have been lost, but few have inspired fans and creators quite as much as Douglas Adams’ Shada, a Tom Baker-starring serial intended to air on the BBC in 1979-80 before strike action halfway through filming meant it was never fully completed.
Since then, attempts at finally completing Shada have been plentiful, from a direct-to-video release using linking narration by Baker, a Big Finish audio play (starring Paul McGann’s Doctor instead of Baker’s) with animation and even a novelisation by revived series writer Gareth Roberts.
But now, Shada has been completed in what may be the definitive version of the story, with the BBC combining the original footage of the serial with brand-new animation to bridge the gaps and bringing back the original cast (including Tom Baker and Lalla Ward) to record the missing lines included in Adams script – and a first-look trailer has been released to give a taste of exactly how the mash-up will look on screen.
And who knows? If the release of Shada is successful, this new technique could be the perfect way to bring Baker’s beloved Doctor back for more onscreen adventures. In a world where the First Doctor can be one of the stars of the upcoming Christmas special, it’s not SUCH a weird idea, after all.
Shada is available on digital platforms on the 24th November, and will be released on DVD and Blu-Ray on the 4th December
Doctor Who fan behind those amazing Sherlock mash-up videos lands job with the show
Now, we’re not saying Moffat reads DS but we’re not not saying that either, because here we are and that very YouTuber is talking to Doctor Who Magazineall about how he was hired by the show to work on some episodes of the latest series, as well as the upcoming Christmas special.
And remember that shot in the first ‘Twice Upon A Time’ trailer that saw footage of First Doctor William Hartnell turn into actor David Bradley, who’s taking over the role for the episode?
Well, it turns out, that was all John Smith.
During the interview, Smith said that he worked on creating the black hole in series 10 episode ‘World Enough and Time’ and added that joining the series has been a “literal dream come true”.
“With the Christmas Special, they’re trusting me with a whole lot more,” John added (via Radio Times).
“All I was given was the original shot of Hartnell and a matching shot of Bradley delivering the same lines. However, there were quite a few differences – delivery, head positions and movement, background – so I knew immediately that a normal morphing transition wouldn’t work.”
He continued to explain how he’d figured out a method that could work after working on a GIF featuring Daniel Radcliffe turning into Elijah Wood, and tried to adapt it to the footage.
“I was familiar with certain techniques where, if you change each facial feature one by one, you can get one person to look like another, with only a few subtle adjustments,” he said.
“So, one facial feature at a time, I gradually turned Bradley into Hartnell, and it wasn’t until I replaced his eyes that it all clicked into place. Even though it looks like Hartnell at the beginning of the shot, it’s still Bradley’s performance and movement, and the ‘modifiers’ are slowly decreased until Bradley looks like himself.
“I still don’t think I’ve quite nailed it, but I’ve got a few weeks before I need to hand in my final work, so I’ve constantly been making tweaks to get it looking as good as possible.”
He concluded: “I’m immensely proud of that shot, mostly since it seemed so impossible at first glance.”
Twelfth Doctor Peter Capaldi also did his bit to bring Who-lock to life for the fans this week when a picture of him in full Time Lord costume hanging out on the set of Sherlock‘s 221b Baker Street was shared by director and producer Rachel Talalay.
But if you want to see John Smith’s video for yourself, then look no further:
Doctor Who returns to BBC One on December 25, and you can purchase series 10 on DVDand Blu-ray boxset now.
Doctor Who: composer Murray Gold has left the show
Composer Murray Gold will be departing Doctor Who following this year’s Christmas special…
As part of the shake-up behind the scenes of Doctor Who, we understand from multiple sources that composer Murray Gold has left the series. Gold has been doing the music for Doctor Who since the show returned to our screens in 2005. It’s unknown who will be taking over composer duties for series 11.
The reasons for his departure are not clear, although it seems that new showrunner Chris Chibnall wants to bring in a lot of his own team behind the scenes. It’s likely that Gold’s departure is a consequence of that, and from what we understand, he was happy to remain with the show if wanted.
There’s been no official confirmation of this story from the BBC, but we first heard the rumour a couple of months ago, and since then, we have established that it’s true. It’s just coming to light now courtesy of a tabloid rumour in the Mirror today.
To clarify: this story, from our own sources, is 100% correct. Obviously can’t name those sources. We’ve held off running it (and we’ve known for a good month or two) as people are understandably not keen to go on the record, but as The Mirror ran the piece, there seemed little point holding our piece back.
Murray Gold’s last episode will be the Christmas special, Twice Upon A Time.
15 tweets that perfectly sum up the reaction to Doctor Who’s Christmas special sneak peek
This year’s Doctor Who Christmas special is a big one. Not only is it a festive delight with appearances from Mark Gatiss and David Bradley playing the First Doctor, but it’s Peter Capaldi’s last trip in the Tardis before he hands over to Jodie Whittaker.
Excitement is at fever pitch – but details of exactly what to expect from the episode have been kept closely under wraps. That is, until now…
I SCREAMED SO LOUD WATCHING THIS I THINK I WOKE UP THE DEADS. THIS IS SO EMOTIONAL OMG CAN WE GO TO DEC. 25 ALREADY???? #DOCTORWHOhttps://t.co/rykPsEuSop
"Always remember where you parked. It's gonna come up a lot." Based on this clip, the Christmas Special may very well be glorious. #DoctorWhohttps://t.co/1r4lqMJGZB
A new clip from Doctor Who Christmas special Twice Upon a Time has been unveiled during this years Children in Need broadcast, granting a rare sneak peek at one of the most eagerly-anticipated broadcasts this festive season.
However, fans hoping for an early glimpse at Jodie Whittaker’s new Doctor may have to manage their expectations – instead, the clip comes from earlier in the episode and sees Peter Capaldi’s outgoing Twelfth Doctor welcome his former self the First Doctor (David Bradley) and a World War One soldier known as the Captain (Mark Gatiss) onboard his “hideous” (well, according to Bradley) Tardis.
In doing so, Capaldi’s Doctor also FINALLY convinces his argumentative former self that he is exactly who he says he is – the Doctor several regenerations and a few centuries along the line – leaving Bradley’s Time Lord reeling from the implications of this new information (and the fact that, well, he assumed he’d get younger).
The new footage is sure to whet the appetite of fans for the festive special, even if it still doesn’t reveal how series companion Bill (Pearl Mackie, who doesn’t appear in the clip) returns to the Doctor’s side or even what dastardly foes the two Doctors will be facing in their final adventure.
But of course, it’s probably good that we’re being kept in the dark about a few of the things in store for the Doctor and friends this Christmas. It’s never good to spend TOO long sneaking a peek at your presents before the big day, after all…
Doctor Who returns to BBC1 this Christmas
LETHBRIDGE-STEWART NOVELLA SCHEDULE CHANGE AND NEW TITLE
Candy Jar Books is pleased to announce a new title to its limited edition Lethbridge-Stewart novella range!
Travers & Wells features, as the title suggests, Edward Travers teaming up with the grandfather of sci-fi, HG Wells in what may be the first in a series of adventures exploring the inspiration behind many of the Wells’ classics.
Range Editor, Andy Frankham-Allen explains: “This novella serves as a kind of back door pilot for a possible series. It’s all dependent on the reception the book receives, and whether or not there is enough interest in an occasional series with Travers and Wells at the helm. The original plan was for me to write a sequel to The War of the Worlds, but then word reached me of the Stephen Baxter sequel and it was clear that we’d not be able to compete with that, so, not wanting to waste all the research and notes, I hit upon the idea of turning the story into an alternative take on the classic novel, and utilising the Doctor Who connection with Wells that Glen McCoy created for his 1985 serial, Timelash. And so we worked out an arrangement with Glen and set the potential series up with, first, the end of Times Squared, and then a short story called Time and Again.”
Due to scheduling conflicts, Andy handed over the writing duties to Robert Mammone, who previously wrote the short story, Eve of the Fomorians. First Robert wrote a kind of prologue, Time and Again, that was published into the first novella, The Life of Evans, before turning his attention to his own novella.
Robert says: “When Andy and I were chatting on Skype about the upcoming novellas it suddenly dawned on him we could set up the range with a prequel short story. I immediately said yes and then knuckled down to getting the ideas, themes and plot straight. I didn’t want the story to be a direct sequel to Timelash, but I did want to take elements from that story as a way of looking at how those who assume authority after toppling a dictatorship can end up aping some of the actions of those overthrown.”
In regards Travers & Wells itself, Robert adds: “I jumped at the chance to write the first story in the series. After I sent off the email saying yes, it suddenly hit me that I would be dealing with one of science fiction’s foundational texts. Some days later, when the shock had worn off, I began my research. Of course re-reading The War of the Worlds was a must, but also an early Wells short story called The Crystal Egg as it related in part to the story I was crafting. Jeff Wayne’s The War of the Worlds also helped inspire me, especially during some of the very late night writing sessions.”
Talking about the inspirations behind the novella, beyond the works of HG Wells, Robert continues: “In writing the novella I drew inspiration from images of the Blitz – particularly St Paul’s wreathed in smoke. Given the events I describe in my story, it seemed appropriate that I pay homage to another, more terrible invasion. There are also hints and nods to Wells’ other works, and I weave in real world events from the period the original was written in, as I find that approach adds flavour to the reading experience. Andy was a great sounding board in helping the plot come together, and his editing skills and input helped shape the novella.”
The cover is by regular artist Richard Young, who was responsible for all the novella covers thus far. It features a younger Travers and Wells, as well as Richard’s own take on the infamous Martian war machine. Richard says: “I was over the moon to be doing the cover for Travers & Wells. I treated this slightly differently than the previous two novellas, in that I wanted something that would had a film poster quality to it. In fact there is a version of the artwork knocking around that has been put together as if it was a film poster.”
Blurb:
“For a time I believed that mankind had been swept out of existence, and that I stood there with my friend, Edward Travers, the last men left alive.”
Edward Travers, pulled out of time by a mysterious force, finds himself on a hill with a young man called Herbert George Wells. Together the men travel across England, intent on discovering where they are; a world distinctly different from the one they know. And yet, for Edward Travers, it is one that seems vaguely familiar…
For strange, meteor-like objects have landed in the heart of England, and the inhabitants of Earth have found themselves victims of a terrible attack. A ruthless race of Martians, armed with heat rays and poisonous smoke, is intent on destroying everything that stands in its way.
Only things have not turned out the way Travers’ expected, for this is not the war of the worlds HG Wells wrote about, but something much worse.
Due to scheduling issues and personal troubles, Andy Frankham-Allen’s Day of the Intelligence has been pulled from the novella schedule, and Travers & Wells serves as the third novella in the three-novella bundle.
Andy explains: “It is unfortunate, but due to personal reasons I cannot go in to, I had to cancel Day of the Intelligence. But on the plus side, it’s my view that Travers & Wells makes a great replacement, indeed I’d wager it’s a much better story than my own novella would have been. I mean, Edward Travers, HG Wells, the Martian invasion of Earth – what’s not to love?”
Travers & Wells is also available to pre-order outside of the three-novella bundle, for only £12.99. Customers who pre-ordered the three-novella bundle will automatically receive Travers & Wells upon release. Only available directly from Candy Jar Books at: http://www.candy-jar.co.uk/books/traversandwells.html or from the Lethbridge-Stewart website: http://www.lethbridge-stewart.co.uk/product/travers-and-wells/
Candy Jar Books is pleased to announce a new addition to its limited edition Lethbridge-Stewart novella range!
(@brinatello) 
Based on this clip, the Christmas Special may very well be glorious. 
Knazzer (@knazzer) 
